LOS ANGELES - MARCH 19: Musician Prince performs onstage at the 36th Annual NAACP Image Awards at the Dorothy Chandler Pavilion on March 19, 2005 in Los Angeles, California. (Photo by Kevin Winter/Getty Images)
Depeche Mode has sold more than 100 million records during a career that’s not had a lull over the course of three decades. Arguably the most popular and successful electronic band of all time, they still release albums that debut in the top 10 and continue to draw arena-sized crowds. Their influence can be heard in house, techno, industrial,
mainstream journalists and their stupid cliché questions, it’s a recurring problem for every musician.
Dave shocked a Journalist TV station Canal+by exclusively announcing the end of the band on the talk show Le Grand Journal what do you think of your new album, is this the final release of your band, etc..
You can watch the ‘interview’ fragment below.
But first the before (when Dave says he has an exclusive), during (when he announces the end of Depeche Mode)
In related Depeche Mode news,
Depeche Mode /dɨˌpɛʃˈmoʊd/ are an English electronic band formed in 1980 in Basildon, Essex. The group's original line-up consisted of Dave Gahan (lead vocals, occasional songwriter since 2005), Martin Gore (keyboards, guitar, vocals, chief songwriter after 1981), Andy Fletcher (keyboards), and Vince Clarke(keyboards, chief songwriter from 1980 until 1981). Depeche Mode released their debut record in 1981, Speak & Spell, bringing the band onto the British new wave scene. Clarke left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year. Gore took over lead songwriting duties and, later in 1982, Alan Wilder (keyboards, drums, occasional songwriter) officially joined the band to fill Clarke's spot, establishing a line up that would continue for the next thirteen years. The band's last albums of the 1980s, Black Celebration and Music for the Masses, established them as a dominant force on the mainstream electronic music scene. A highlight of this era was the band's concert at the Pasadena Rose Bowl, where they drew a crowd in excess of 60,000 people. In the new decade, Depeche Mode released Violator, a mainstream success. The subsequent album, Songs of Faith and Devotion, and the supporting Devotional Tour exacerbated tensions within the band to the point where Alan Wilder quit in 1995, leading to intense media and fan speculation that the band would split. Now a trio once again, the band released Ultra in 1997, recorded at the height of Gahan's near-fatal drug abuse, Gore's alcoholism and seizures and Fletcher's depression. The release of Exciter confirmed Depeche Mode's willingness to remain together, the subsequent, and very successful, Exciter Tour being their first tour in support of an original album in eight years since the Devotional Tour, although the band had toured in 1998 to support The Singles 86–98 compilation album. Depeche Mode have had fifty songs in the UK Singles Chart and thirteen top 10 albums in the UK charts, two of which debuted at No. 1. Depeche Mode have sold over 100 million records worldwide,[1] making them one of the most commercially successful electronic bands and one of the world's best-selling bands.[2] Qmagazine calls Depeche Mode "the most popular electronic band the world has ever known"[3] and included the band in the list of the "50 Bands That Changed the World!".[4] Depeche Mode also rank number 98 on VH1's "100 Greatest Artists Of All Time
Well now, where shall i begin to tell you about my Infest 2012. I don't think anyone who was there would argue that the turn out this year was well down on usual, I don't doubt tough economic times may have played a part for some, having Resistanz early next year also may have informed some regulars decisions but I think that this years line up may have had a large part to play, hmmm to go or not to go that was the question, the one part of me wanted to go 'cos, well it's Infest and not only the event but the chance to catch up with friends I only get to see when we're there. I did want to see Suono and of course Suicide Commando, now you understand this is just my opinion and of course I don't expect you to agree but the rest of the line up didn't set me on fire and so after a degree of mming and erring booked tickets, accommodation and stuff and prepared
to party.
Friday saw us arrive at the venue at around 3pm and it's no exaggeration to say it was very quiet. Spacebouy provided synth pop with a modern twist and though noise isn't really my thing Dirty K managed to bring both rhythm and noise together, yeah it's noise but good noise. As more of our friends and aquaintances arrived we tended to get caught up in the usual drink, greet, gossip, drink scenario and so the rest of Friday past without us spending too much time in the main room.
Saturday saw another fairly quiet start and instead of needing to be down front at least 15 minutes befoe kick off there was still loads of room at 5 minutes to go. We got well up front for Suono at 5pm and in hindsight 5 was way too early for them to be on as they were the "dark horses" of Saturday if not the weekend and for me personally saved the day! Having seen them I know what people mean when they say their studio sound doesn't quite yet catch the essence of their live performance but man do those boys deliver when you do see them live !! I've heard them compared to Sam and XRX and I get that but if you have had doubts about seeing them live, my friends, doubt no more and if you missed them then you missed a treat. Their boundless infectious enthusiasm and techno dance beats soon had everyone partying along, I just wish that there had been more in the room to see them, I can see them rapidly becoming firm favourites not least for the music as I distinctly heard the comment from behind me "oohh they are cute boys too" Suono, you heard it here first !
Sunday seemed for the most part a more chilled affair during the day, I think a lot of us had partied pretty hard on Saturday and were taking things a bit steady, however as the day wore on and various "hairs of the dog" pulled everyone round an air of anticipation began to build, no surprise really as headlining - drum roll, Ladees and Gentlemen, Infest gives you for one night only, the one, the only, Suicide Commando !! cue storms of applause and rush for the front !! and rush we did as it was the only time of the weekend you had to be down front half an hour before - and we were.
Right from the first storming song, Johan pounded around the stage at once admonishing us with the famous waggy finger whilst encouraging us to "Come on and hate Me" Attention Whore had everyone pounding up and down (was it meant for all of us? of course it was ! we know what we are) along with Die Motherfucker Die and classics such as Time, but for me, the highlight was being forehead to forehead with the man himself yelling Bind, Torture and Kill an experience which will stay with me for quite some time. After two encores the set came to a sweaty, shouty, excitable end way too soon for all of us, leaving the lovely Tails (Tales) ?? sorry man, forgive me, I don't know which way to spell it our world famous M.C. to announce the raffle and the prize of prizes must surely have been the wonderful Beer Can Headpiece, for those who saw it you know what I mean, finally a big shout out to The Infamous Rubber Nun, Das TinTin and Zombie Chris - you know who you are ...........
As always Infest delivered on many levels, the Jager, the stalls, the crowd and the bands, if there is just one small comment I would make it would be that what Infest does Brilliantly is give lesser known and new artists a platform but for next year we need a few more names please, in the current crappy economic climate in this country and with Resistanz snapping at Infest's heels we need bands to pull us all in and keep Infest what it is, well Infest, let's face it if you've never been before you really need to come along next year and to everyone who always is, see you there next year motherfuckers !!!
Love and Jager to all,
Dawnie xxxx
credits@ photos adam w/ www.amodelofcontrol.com
- See more at: http://www.darkasylum.co.uk/blogs/1317/42/infest-2012-review#sthash.oJBdpqTw.dpuf
Album Review: Gott – “Nonfiction”
So, I find a message in our super secret Admin section of Dark Asylum Radio – it’s from a man called Flavio and he says that he’s got a new album coming out, and he wants to know what we thought about it. Well, thinks I, who am I to deny it? I look around the links that he sends me – links to his artwork project, links to a free download option via Bandcamp...and it all looks fine. It seems well put together, nicely wrapped up – it’s a pretty nice gift to receive.
So, the label reads “New Wave from Buenos Aires”, which made me smile – you don’t see many New Wave bands about these days, and listening to the first couple of tracks they seem to hit the right notes – the second track, “Ravensong”, is very Cure/Human League feel behind it all which I found quite enjoyable. The whole album has a nice sheen to it and there are enough surprises to delight the careful listener – the occasional chime in “Industry”.
If there was one gripe to be had, it’s with the singer, Flavio’s, voice – during most of the album it remains nice and stable, but it tends to stretch a little during the higher notes: While not a deal breaker, it does occasionally distract from an otherwise lovely piece of music. The band – Flavio on vocals, Xiro on guitars, Javier on synths and Gabe on bass – work well together as a unit, and while the synths tend to occasionally overwhelm the rest of the instruments it’s rare enough to be ignorable.
...and let’s face it, for a free album you can do miles worse. It’s something different enough to almost be novel, so I recommend giving it a listen.
Stand out tracks: “Ravensong”, “Industry”
More information can be found from:
www.flavioluccisano.wix.com/flavio-luccisano – this is the link to Flavio’s artwork. Not bad!
https://www.facebook.com/gottmusik - the band’s Facebook page
http://gottmusik.bandcamp.com/ - the link for the album.
- See more at: http://www.darkasylum.co.uk/blogs/98/46/album-review-gott-nonfiction#sthash.CiF4YR43.dpuf
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