Depeche Mode has sold more than 100 million records during a career that’s not had a lull over the course of three decades. Arguably the most popular and successful electronic band of all time, they still release albums that debut in the top 10 and continue to draw arena-sized crowds. Their influence can be heard in house, techno, industrial,
mainstream journalists and their stupid cliché questions, it’s a recurring problem for every musician.
Dave shocked a Journalist TV station Canal+by exclusively announcing the end of the band on the talk show Le Grand Journal what do you think of your new album, is this the final release of your band, etc..
Dave Gahan decided to play ‘cavalier soul’ announcing the end of Depeche Mode. The ‘journalist Journal. Talking of a (non) exclusive! For a few seconds her face was set on disbelief until ...
You can watch the ‘interview’ fragment below.
But first the before (when Dave says he has an exclusive), during (when he announces the end of Depeche Mode)
In related Depeche Mode news,
Depeche Mode/dɨˌpɛʃˈmoʊd/ are an English electronic band formed in 1980 in Basildon, Essex. The group's original line-up consisted of Dave Gahan (lead vocals, occasional songwriter since 2005), Martin Gore (keyboards, guitar, vocals, chief songwriter after 1981), Andy Fletcher (keyboards), and Vince Clarke(keyboards, chief songwriter from 1980 until 1981). Depeche Mode released their debut record in 1981, Speak & Spell, bringing the band onto the British new wave scene. Clarke left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year. Gore took over lead songwriting duties and, later in 1982, Alan Wilder (keyboards, drums, occasional songwriter) officially joined the band to fill Clarke's spot, establishing a line up that would continue for the next thirteen years.
The band's last albums of the 1980s, Black Celebration and Music for the Masses, established them as a dominant force on the mainstream electronic music scene. A highlight of this era was the band's concert at the Pasadena Rose Bowl, where they drew a crowd in excess of 60,000 people. In the new decade, Depeche Mode released Violator, a mainstream success. The subsequent album, Songs of Faith and Devotion, and the supporting Devotional Tour exacerbated tensions within the band to the point where Alan Wilder quit in 1995, leading to intense media and fan speculation that the band would split. Now a trio once again, the band released Ultra in 1997, recorded at the height of Gahan's near-fatal drug abuse, Gore's alcoholism and seizures and Fletcher's depression. The release of Exciter confirmed Depeche Mode's willingness to remain together, the subsequent, and very successful, Exciter Tour being their first tour in support of an original album in eight years since the Devotional Tour, although the band had toured in 1998 to support The Singles 86–98 compilation album.
Depeche Mode have had fifty songs in the UK Singles Chart and thirteen top 10 albums in the UK charts, two of which debuted at No. 1. Depeche Mode have sold over 100 million records worldwide,[1] making them one of the most commercially successful electronic bands and one of the world's best-selling bands.[2]Qmagazine calls Depeche Mode "the most popular electronic band the world has ever known"[3] and included the band in the list of the "50 Bands That Changed the World!".[4] Depeche Mode also rank number 98 on VH1's "100 Greatest Artists Of All Time
So, I find a message in our super secret Admin section of Dark Asylum Radio – it’s from a man called Flavio and he says that he’s got a new album coming out, and he wants to know what we thought about it. Well, thinks I, who am I to deny it? I look around the links that he sends me – links to his artwork project, links to a free download option via Bandcamp...and it all looks fine. It seems well put together, nicely wrapped up – it’s a pretty nice gift to receive.
So, the label reads “New Wave from Buenos Aires”, which made me smile – you don’t see many New Wave bands about these days, and listening to the first couple of tracks they seem to hit the right notes – the second track, “Ravensong”, is very Cure/Human League feel behind it all which I found quite enjoyable. The whole album has a nice sheen to it and there are enough surprises to delight the careful listener – the occasional chime in “Industry”.
If there was one gripe to be had, it’s with the singer, Flavio’s, voice – during most of the album it remains nice and stable, but it tends to stretch a little during the higher notes: While not a deal breaker, it does occasionally distract from an otherwise lovely piece of music. The band – Flavio on vocals, Xiro on guitars, Javier on synths and Gabe on bass – work well together as a unit, and while the synths tend to occasionally overwhelm the rest of the instruments it’s rare enough to be ignorable.
...and let’s face it, for a free album you can do miles worse. It’s something different enough to almost be novel, so I recommend giving it a listen.
