This should be considered as just a rumor for now, but it’s a convincing one. Let’s just get what you came here for out of the way, and not bury the lede: Garret Dillahunt (Justified, Deadwood) may have been cast as the terrible, no-good, murderous Negan in AMC’s The Walking Dead. The general consensus is that Negan’s arrival is imminent, and it wouldn’t be shocking at all if the barbed wire bat-swinging baddie finally made his appearance this season during the finale.
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In Robert Kirkman’s comic book, he’s the man who ultimately kills (SPOILER) Glenn, crushing his skull with his weapon of choice: Lucille. Since Glenn may already be dead (but, then again, he may not), we might not see that scene in the TV series, which is a shame, because it would have intensified Negan’s threat. Maybe, he’ll just have to kill someone else. (I’m looking at you, Carl.)
So, why the belief that Dillahunt has been cast in the role? Well, there’s this tweet that went out earlier this week, for starters:
That’s the collection of The Walking Dead that introduces Negan — it’s not much to go on, but then, as The Spoiling Dead Fans pointed out, there’s the fact that TWD stars John Carroll Lynch (Eastman) and Alanna Masterson (Tara) began following Dillahunt on Twitter. Perhaps the most convincing Twitter evidence comes in the form of Scott M. Gimple — TWD showrunner — following Dillahunt, when he only follows a little over 300 people. If none of that has convinced you, then take a gander at the halo emoticon that the actor tweeted out after a coy response to whether Lucille has any significance to him:
The Weinstein Company has released a bloody new official trailer for The Hateful Eight, Quentin Tarantino‘s upcoming eighth feature film that is about a group of dangerous individuals who are trapped together in a post-Civil War Wyoming. The trailer gives us a glimpse at how the eight hateful soles face plenty of betrayal and deception while being cooped up together. The Hateful Eight is scheduled to only be released in 70 mm film format on December 25th, 2015 and then released in digital theaters on January 8th, 2016.
Set six or eight or twelve years after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. The passengers, bounty hunter John Ruth (Kurt Russell) and his fugitive Daisy Domergue (Jennifer Jason Leigh), race towards the town of Red Rock where Ruth, known in these parts as “The Hangman,” will bring Domergue to justice. Along the road, they encounter two strangers: Major Marquis Warren (Samuel L. Jackson), a black former union soldier turned infamous bounty hunter, and Chris Mannix (Walton Goggins), a southern renegade who claims to be the town’s new Sheriff. Losing their lead on the blizzard, Ruth, Domergue, Warren and Mannix seek refuge at Minnie’s Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie’s, they are greeted not by the proprietor but by four unfamiliar faces: Bob (Demian Bichir), who’s taking care of Minnie’s while she’s visiting her mother, is holed up with Oswaldo Mobray (Tim Roth), the hangman of Red Rock, cow-puncher Joe Gage (Michael Madsen), and Confederate General Sanford Smithers (Bruce Dern). As the storm overtakes the mountainside stopover, our eight travelers come to learn they may not make it to Red Rock after all…
Depeche Mode has sold more than 100 million records during a career that’s not had a lull over the course of three decades. Arguably the most popular and successful electronic band of all time, they still release albums that debut in the top 10 and continue to draw arena-sized crowds. Their influence can be heard in house, techno, industrial,
mainstream journalists and their stupid cliché questions, it’s a recurring problem for every musician.
Dave shocked a Journalist TV station Canal+by exclusively announcing the end of the band on the talk show Le Grand Journal what do you think of your new album, is this the final release of your band, etc..
Dave Gahan decided to play ‘cavalier soul’ announcing the end of Depeche Mode. The ‘journalist Journal. Talking of a (non) exclusive! For a few seconds her face was set on disbelief until ...
You can watch the ‘interview’ fragment below.
But first the before (when Dave says he has an exclusive), during (when he announces the end of Depeche Mode)
In related Depeche Mode news,
Depeche Mode/dɨˌpɛʃˈmoʊd/ are an English electronic band formed in 1980 in Basildon, Essex. The group's original line-up consisted of Dave Gahan (lead vocals, occasional songwriter since 2005), Martin Gore (keyboards, guitar, vocals, chief songwriter after 1981), Andy Fletcher (keyboards), and Vince Clarke(keyboards, chief songwriter from 1980 until 1981). Depeche Mode released their debut record in 1981, Speak & Spell, bringing the band onto the British new wave scene. Clarke left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year. Gore took over lead songwriting duties and, later in 1982, Alan Wilder (keyboards, drums, occasional songwriter) officially joined the band to fill Clarke's spot, establishing a line up that would continue for the next thirteen years.
The band's last albums of the 1980s, Black Celebration and Music for the Masses, established them as a dominant force on the mainstream electronic music scene. A highlight of this era was the band's concert at the Pasadena Rose Bowl, where they drew a crowd in excess of 60,000 people. In the new decade, Depeche Mode released Violator, a mainstream success. The subsequent album, Songs of Faith and Devotion, and the supporting Devotional Tour exacerbated tensions within the band to the point where Alan Wilder quit in 1995, leading to intense media and fan speculation that the band would split. Now a trio once again, the band released Ultra in 1997, recorded at the height of Gahan's near-fatal drug abuse, Gore's alcoholism and seizures and Fletcher's depression. The release of Exciter confirmed Depeche Mode's willingness to remain together, the subsequent, and very successful, Exciter Tour being their first tour in support of an original album in eight years since the Devotional Tour, although the band had toured in 1998 to support The Singles 86–98 compilation album.
Depeche Mode have had fifty songs in the UK Singles Chart and thirteen top 10 albums in the UK charts, two of which debuted at No. 1. Depeche Mode have sold over 100 million records worldwide,[1] making them one of the most commercially successful electronic bands and one of the world's best-selling bands.[2]Qmagazine calls Depeche Mode "the most popular electronic band the world has ever known"[3] and included the band in the list of the "50 Bands That Changed the World!".[4] Depeche Mode also rank number 98 on VH1's "100 Greatest Artists Of All Time
Recently, there’s been news of a Harry Potter themed bar and restaurant called The Lockhart. Unfortunately, we can’t all visit Toronto and get a seat at The Lockhart.
That’s okay because these Harry Potter-themed shooters from Graphic Nerdity can help fill the void in your very own home.
Sorry young fans, this is strictly for the 21+ crowd.
Called “Harry Shotters,” the themed shots are punnily-named and filled with a bevy of booze. As Graphic Nerdity says, “These drinks are not for beginners. By that I mean only experienced Harry Potter fans will appreciate the puns that went into making them.”
Judging by the ingredients for the Avada Tequila, these shooters are indeed not for beginner drinkers — or experienced ones, even. Most of these concoctions probably taste as good as Polyjuice Potion. But hey, we all know how well that works!*
*Wears off quickly and is not a surefire disguise, so drink these shots with caution.
Tabasco sauce? This one will certainly leave wounds in your mouth.
There were some other ideas that Graphic Nerdy didn’t see through, for unknown reasons. Lord Vodkamort, Flourish & Blattoed and Cognac McLaggen were left off the list. Personally I’d love to see whatFlourish & Blattoed is.
If you’re more of a visual person, these drawings of the shots from Michelle Richard may help you better understand how crazy of a night you’ll have after a round of them.
Because we’re all fans here, please share more ideas for Harry Shotters.
Marilyn Manson occasionally takes time out of his rock-god schedule to pursue acting. He’s amused by this new profession and would make a full-time switch if he could. Manson received acclaim for his bit part in the final season of Sons of Anarchy. Now he’s appearing in a substantial role in Let Me Make You A Martyr. The indie movie was shot in Tulsa, Oklahoma on a $200,000 budget in July. The trailer, which is framed as a “cerebral revenge” tale, hit the internet on Wednesday.
The film stars a few SOA guys, who roped Manson into doing the film. Mark Boone Junior plays an abusive father. Nico Nicotera plays his son, who is in love with his sister (Sam Quartin). The siblings want to murder their dad, which is where Manson’s character hits the story. He plays a Native American hitman. Manson spoke with Rolling Stone about the film:
Aside from taking delight in horrific surroundings, Manson also identified with another trait of his character: “I am part Indian,” he says. The singer adds that he did not know Pope was Native American when he took the role because the script didn’t specify it.
“I really didn’t have to change too much about myself physically. I already had just shaved my hair to a Mohawk and it’s black already, so without being stereotypical, that seems like the character would have that if he was part Indian. I think originally they had envisioned someone with long black hair.”
At first glance, this casting steps into the same territory as Cameron Crowe’s Aloha, which castEmma Stone as an Asian fighter pilot (and for which Emma later apologized). This even conjures up memories of Johnny Depp popping a bird on his head and calling himself “Tonto.”
Manson is one of the whitest guys anyone could imagine, but he does come from Sioux heritage (on his mother’s side). Speaking as someone who lives in Oklahoma, I know several people with Native American heritage who are as white as Manson. Twitter is still pretty upset about how Manson was cast in this role:
Here are some shots of Manson on the set of Let Me Make You A Martyr. He also got bored andwent roller skating while he was in town.
SPOILERS, ETCETERA, for season five of Game of Thrones
Honestly if you’re not caught up on season five of Game of Thrones at this point, you should probably just turn off the internet until you’re done watching all of the episodes, because I can barely figure out not how to write a damn headline that doesn’t give everything away without just saying [REDACTED] was seen [REDACTED] in [REDACTED].
Now that we’ve gotten that out of the way, despite how much the Game of Thrones showrunners object and how its been hinted that he might come back as a warg, everything else is telling us that Jon Snow is still alive — from Kit Harington’s hairstyle to this location theory. And now fueling rumors, a reader of Watchers on the Wall spotted Harington on a flight from London to Belfast on Monday night. As in, the Belfast where Game of Thrones is currently filming.
This isn’t the first time Harington has been spotted in Belfast this year, as this is at least his third trip since pre-production started. Watchers on the Wall notes that, if he was just filming a funeral scene, there would probably be no need for this many visits. Harington has also allegedly been refusing photo ops with fans.
Last but not least, there was also this nugget:
For those of you deeply invested in #HairWatch, Harington was sporting a man-bun.
MAN-BUN. Guy doesn’t just go man-bunning around unless he’s got something to hide. This has been your continuing coverage of SNOWWATCH 2015, or, as we also like to refer to it as, “Kit Harington’s Personal Hell.”
Finally, Photographic Evidence that Kit Harington Has Joined the Cast of Game of Thrones in Belfast
Yesterday we posted a round-up of all the Game of Thrones actors who had been sighted in Belfast for the Season 6 script read-throughs. They included Emilia Clarke, Maisie Williams, Sophie Turner, and many more. But while there were rumors that Kit Harington had been spotted in the Game of Thrones home base in Northern Ireland, there was no proof yet. All that changed today when Watchers on the Wall, a site dedicated to all things Game of Thrones, posted photos of Harington arriving in the Belfast airport. The return of Jon Snow is turning into the worst-kept secret in TV history.
You can see another image of Harington’s arrival over on WoW that focuses on the actor’s on-trend man bun. Rest assured, these are taken in the Belfast airport—see this photo for comparison. And, despite the beard partially obstructing his face, that is Kit. He was seen with the same leather suitcase just a few days ago. We’re relieved to see him reunited with his Game of Thrones crew and we’re even more relieved to see his luscious, Stark-ish locks intact—even if they are tucked up into a man bun.
Does a Harington sighting in Belfast guarantee Jon Snow will return in any shape or form other than a stone-cold corpse? No, I suppose not. Charles Dance also spent some time filming in Belfast last year and all we got from Tywin in Season 5 were those crazy rock eyes.
But given all the other evidence mounting including casting news and exciting filming locations, well, the case for Jon Snow surviving the mutiny at the Wall grows stronger every day.
Actor George Coe, who was nominated for an Academy Award in 1968 for The Dove but is probably best known as an original SNL cast member and the voice of Sterling Archer’s reluctantly loyal, heroin-addicted butler Woodhouse on Archer, died on Saturday “after battling a long illness,” reports Variety. He was 86 years old.
The Jamaica, Queens-born Coe appeared in multiple roles in every decade since the 1960s, including guest spots on Thirtysomething, Star Trek: The Next Generation, Gilmore Girls, and Curb Your Enthusiasm, and he even voiced Wheeljack in Transformers: Dark of the Moon. Coe was an original Not Ready For Prime Time Player on SNL, but was only credited for one episode, the show’s first, on October 11, 1975 (he, however, did appear a few more times).
Despite NBC’s insistence on Coe as an SNL cast member, he was used sparingly during the first season and only appeared in eight episodes, not including guest appearances in 1978 and later 1986 when William Shatner took his turn as host.
Ever since video of Hannibal Burress making jokes about the not-so-well-known accusations went viral, the media has been on fire for news about the rape allegations against Bill Cosby. Yet aside from more and more accounts of rape from reported victims, no documented evidence could be attributed to the famous comedian. At least, before the sealed 2005 deposition was released in July.
On July 6, the Associated Press reported that Cosby admitted during questioning to administering Quaaludes to young women for the purpose of having sex with them. It was the first time any kind of evidence, let alone a supposed admission, had leaked to the press. As a result, former Cosby defenders left his side, Disney World removed a bust of the comedian from an exhibit, and a White House petition called for his Presidential Medal of Freedom to be revoked.
Yet as horrible as all of this is, none of it compares a The New York Times story published on late Saturday, in which the paper got its hands on a copy of the deposition. If accurate, then the portrait painted of the once beloved stand-up comedian and television personality is about to make things a whole lot worse for him, his wife and manager Camille Cosby, and their team:
Even as Mr. Cosby denied he was a sexual predator who assaulted many women, he presented himself in the deposition as an unapologetic, cavalier playboy, someone who used a combination of fame, apparent concern and powerful sedatives in a calculated pursuit of young women — a profile at odds with the popular image he so long enjoyed, that of father figure and public moralist.
No, it’s not that bad. It’s actually much, much worse.
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Early on in the article, the NYT’s Graham Bowley and Sydney Ember detail the story of an unnamed 19-year-old model “who sent him her poem and ended up on his sofa,” where “she pleasured him with lotion.” And remember, this is all from a deposition — an interrogation in which Cosby told investigators about these things, and in great, horrible detail:
He spoke with casual disregard about ending a relationship with another model so he could pursue other women. “Moving on,” was his phrase.
He suggested he was skilled in picking up the nonverbal cues that signal a woman’s consent.
“I think I’m a pretty decent reader of people and their emotions in these romantic sexual things, whatever you want to call them,” he said.
Through it all, his manner was largely one of casual indifference.
His tone here, need I remind you, is apparently best described as “one of casual indifference.” The man is well aware of what he was doing, and yet he didn’t really care about any or all of the possible implications of wrongdoing. That, or he wasn’t capable of recognizing them.
Probably the worst bit comes near the end of the article, in which Bowley and Ember recall the story of Beth Ferrier:
He could be dispassionate in recalling former relationships. With a woman named Beth Ferrier, a model he met in the 1980s, he recalled inquiring after her career and her father, who had died of cancer.
“Did you ask her those questions because you wanted to have sexual contact with her?” Ms. Troiani asked.
“Yes,” Mr. Cosby responded.
Still, he said he viewed himself as a good person, worthy of trust, and chivalrous in his desire to never tell others about the women with whom he had sex.
“I am a man, the only way you will hear about who I had sex with is from the person I had it with,” he said.
Obviously, that last part isn’t entirely true, as Cosby’s legal team has fought long and hard to keep many of the lawsuits and complaints filed against him quiet. Not even the women he allegedly raped were allowed to tell whether or not Cosby had had sex with them:
In the court case, 13 women came forward with anonymous sworn statements to support Ms. [Andrea] Constand, saying that they, too, had been molested in some way by Mr. Cosby. But they never had a chance to pursue their claims in court because, six months after the fourth and final day of his deposition, Mr. Cosby settled the case with Ms. Constand on undisclosed terms.
Thursday afternoon, GQ Magazine revealed photos from their latest issue featuring Trainwreckstar Amy Schumer in joking, sexual situations with Star Wars characters like C-3PO and R2-D2. Friday, Lucasfilm responded and not in kind.
In a post on Twitter by the official Star Wars account, they said the following: “Lucasfilm & Disney didn’t approve, participate in or condone the inappropriate use of our characters in this manner.” What “manner” do they mean? Well, the photo above, as well as these.
Obviously, GQ and Schumer didn’t mean to disrespect Lucasfilm with these photos. They’re just supposed to be funny, weird and provocative. Like Schumer and her comedy.
In fact, that they chose to use these characters at all is a testament to their cultural significance. It’s kind of a compliment. But Star Wars is owned by Disney.
Disney is a family company and they obviously wouldn’t be cool with anyone, even the biggest comedienne in the world, fellating a lightsaber. At least in public.
The Ramones of the ’70s are iconic. They were at the vanguard of punk, and arguably pop punk, and created songs that are still considered classics of the genre today. You go to a sporting event, you hear “Blitzkrieg Bop.” Their look was easily recognizable, and influential. They appeared in Rock ‘N’ Roll High School. Then came 1980’s End of the Century which was, in its own way, the end of an era for the band. By 1995, when they released their final studio album Adios Amigos!, they were no longer part of the zeitgeist. They were an afterthought, and they weren’t even the same band.
The change from Tommy to Marky on the drums had happened a while back, with a brief stay from Richie in there as well, and, in truth, changing the drummer isn’t really going to rile up many people. However, by the time of Adios Amigos!, Dee Dee was also all but gone, although his presence is still felt on the album, as he is credited as the writer on many of the songs, including a handful from other projects of his. He had been replaced with C.J. Ramone, who was given a lot of credit by his bandmates for bringing some much-needed youthful energy to the band. C.J. could only do so much, though. This was a band that had been releasing music for 20 years. Nobody could blame them for being burnt out.
Adios Amigos! begins with the iconic “1, 2, 3, 4!” count off that was synonymous with the band, but after that it feels decidedly like warmed-over Ramones. Now, this could be where one would break out the old chestnut about how even bad pizza is pretty good, and how the same can be said for the Ramones. The Ramones were still making the music they’ve made for years. Charging guitars. Simple drumbeats. Although, they do slow it down a bit more than they did in the past, in part to ease the strain on Joey’s vocals. He gets to croon a bit, and he’s not half-bad at it.
The album is hit-or-miss. In addition to the songs from Dee Dee, there is a cover of Tom Waits’ “I Don’t Want to Grow Up” and Johnny Thunders’ “I Love You.” They are both fine. “Fine” is about the highest level this album achieves. “Life’s a Gas” is pretty good, but also goes on a bit too long. In the end, the songs that Joey sings on are reminiscent of the glory days of the Ramones. The issue is that on four of the tracks, C.J. takes the lead vocals. One of the song, “Scattergun,” is OK, but the others are abysmal. Of course, one of those songs is “The Crusher” from Dee Dee’s brief time as a rapper, so C.J. can’t take all of the blame. Nevertheless, it’s one of the worst things ever recorded for posterity.
Dee Dee’s impact on the album is felt in his songwriting, but his only tangible appearance is on the final song “Born to Die in Berlin,” wherein he (literally) phones it in from Germany. None of the original Ramones (Joey, Johnny, Dee Dee, and Tommy) would die in Berlin, but they have all now passed away. Three of them have been dead for over a decade now. However, those Ramones weren’t the Ramones by the time the band was winding it all down. Adios Amigos! isn’t a stain on their legacy by any means. It has its moments, and it sounds like the Ramones, which has merit. Based on their album title, obviously, they knew this was the end. They didn’t go down in a blaze of glory, but at least they said goodbye without embarrassing themselves.