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WAYNE STATIC's Widow TERA WRAY STATIC Found Dead

Tera Wray Static, the widow of STATIC-X frontman and founder Wayne Static and former adult film star, was found dead late last night of an apparent suicide, a longtime associate of Wayne She was 33 years old.

According to AVN, Wray, who was born Tera Lents, met Wayne during the Ozzfest tour in 2007 when she was modeling for Hustler lingerie. They were married in January 2008 and she retired from porn in August of that year.

A friend of Tera's named Rik Marin posted the following message in the comments section"I spent all day yesterday with Tara [sic]. We had lunch hung out and talked about life without Wayne she show no indication that she was going to take her life. She did talk about fighting the

depression for the past 2 years since Wayne had passed..I was shocked when I got the call at 1 am that she had passed.. Instead of hating we should all be happy that Tara had made Wayne so happy he really loved Tera. And put in a track of EVIL DISCO and remember Wayne and

the woman he loved...it's really hard for us friends of Wayne n Tera to read these comments..keep Disco EVIL in remembrance of Wayne. I loved you both an will miss are good times at the Dirthouse.."

Static was married to Wayne Static, the enigmatic frontman of metal band Static-X, who passed away in early November of 2014 from a mixture of strong prescription drugs and alcohol.

No further details regarding her passing have been released but this is an incredibly sad story to write.

As many of you know, I’ve battled my own demons in the past when it came to suicide. I know what absolute bottom feels like and to know that Tera felt that she was at that place just breaks my heart.

I beg of anyone who feels like they’re alone and there’s nothing left to live for to reconsider. Don’t hesitate to reach out to the National Suicide Prevention Hotline at 1-800-273-8255. If you are not in the United States, please utilize whatever resource you have available to you.

Tera, I hate that you chose this path but I truly hope you rest in peace.

more info when we have it

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Lemmy — a.ka. Ian Fraser Kilmister of the band Motörhead is dead age of 70

   

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the end of Depeche Mode Dave Gahan shocks a French Journalist with an exclusive

 

Depeche Mode has sold more than 100 million records during a career that’s not had a lull over the course of three decades. Arguably the most popular and successful electronic band of all time, they still release albums that debut in the top 10 and continue to draw arena-sized crowds. Their influence can be heard in house, techno, industrial,

mainstream journalists and their stupid cliché questions, it’s a recurring problem for every musician.

Dave shocked a Journalist TV station Canal+by exclusively announcing the end of the band on the talk show Le Grand Journal  what do you think of your new album, is this the final release of your band, etc..

You can watch the ‘interview’ fragment below.

But first the before (when Dave says he has an exclusive), during (when he announces the end of Depeche Mode)

In related Depeche Mode news,

  Depeche Mode /dɨˌpɛʃˈmoʊd/ are an English electronic band formed in 1980 in Basildon, Essex. The group's original line-up consisted of Dave Gahan (lead vocals, occasional songwriter since 2005), Martin Gore (keyboards, guitar, vocals, chief songwriter after 1981), Andy Fletcher (keyboards), and Vince Clarke(keyboards, chief songwriter from 1980 until 1981). Depeche Mode released their debut record in 1981, Speak & Spell, bringing the band onto the British new wave scene. Clarke left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year. Gore took over lead songwriting duties and, later in 1982, Alan Wilder (keyboards, drums, occasional songwriter) officially joined the band to fill Clarke's spot, establishing a line up that would continue for the next thirteen years. The band's last albums of the 1980s, Black Celebration and Music for the Masses, established them as a dominant force on the mainstream electronic music scene. A highlight of this era was the band's concert at the Pasadena Rose Bowl, where they drew a crowd in excess of 60,000 people. In the new decade, Depeche Mode released Violator, a mainstream success. The subsequent album, Songs of Faith and Devotion, and the supporting Devotional Tour exacerbated tensions within the band to the point where Alan Wilder quit in 1995, leading to intense media and fan speculation that the band would split. Now a trio once again, the band released Ultra in 1997, recorded at the height of Gahan's near-fatal drug abuse, Gore's alcoholism and seizures and Fletcher's depression. The release of Exciter confirmed Depeche Mode's willingness to remain together, the subsequent, and very successful, Exciter Tour being their first tour in support of an original album in eight years since the Devotional Tour, although the band had toured in 1998 to support The Singles 86–98 compilation album. Depeche Mode have had fifty songs in the UK Singles Chart and thirteen top 10 albums in the UK charts, two of which debuted at No. 1. Depeche Mode have sold over 100 million records worldwide,^[1] making them one of the most commercially successful electronic bands and one of the world's best-selling bands.^[2] Qmagazine calls Depeche Mode "the most popular electronic band the world has ever known"^[3] and included the band in the list of the "50 Bands That Changed the World!".^[4] Depeche Mode also rank number 98 on VH1's "100 Greatest Artists Of All Time      

The Ramones Said ‘Adios’ With A Whimper, But At Least They Didn’t Embarrass Themselves

The Ramones of the ’70s are iconic. They were at the vanguard of punk, and arguably pop punk, and created songs that are still considered classics of the genre today. You go to a sporting event, you hear “Blitzkrieg Bop.” Their look was easily recognizable, and influential. They appeared in Rock ‘N’ Roll High School. Then came 1980’s End of the Century which was, in its own way, the end of an era for the band. By 1995, when they released their final studio album Adios Amigos!, they were no longer part of the zeitgeist. They were an afterthought, and they weren’t even the same band. The change from Tommy to Marky on the drums had happened a while back, with a brief stay from Richie in there as well, and, in truth, changing the drummer isn’t really going to rile up many people. However, by the time of Adios Amigos!, Dee Dee was also all but gone, although his presence is still felt on the album, as he is credited as the writer on many of the songs, including a handful from other projects of his. He had been replaced with C.J. Ramone, who was given a lot of credit by his bandmates for bringing some much-needed youthful energy to the band. C.J. could only do so much, though. This was a band that had been releasing music for 20 years. Nobody could blame them for being burnt out. Adios Amigos! begins with the iconic “1, 2, 3, 4!” count off that was synonymous with the band, but after that it feels decidedly like warmed-over Ramones. Now, this could be where one would break out the old chestnut about how even bad pizza is pretty good, and how the same can be said for the Ramones. The Ramones were still making the music they’ve made for years. Charging guitars. Simple drumbeats. Although, they do slow it down a bit more than they did in the past, in part to ease the strain on Joey’s vocals. He gets to croon a bit, and he’s not half-bad at it. The album is hit-or-miss. In addition to the songs from Dee Dee, there is a cover of Tom Waits’ “I Don’t Want to Grow Up” and Johnny Thunders’ “I Love You.” They are both fine. “Fine” is about the highest level this album achieves. “Life’s a Gas” is pretty good, but also goes on a bit too long. In the end, the songs that Joey sings on are reminiscent of the glory days of the Ramones. The issue is that on four of the tracks, C.J. takes the lead vocals. One of the song, “Scattergun,” is OK, but the others are abysmal. Of course, one of those songs is “The Crusher” from Dee Dee’s brief time as a rapper, so C.J. can’t take all of the blame. Nevertheless, it’s one of the worst things ever recorded for posterity. Dee Dee’s impact on the album is felt in his songwriting, but his only tangible appearance is on the final song “Born to Die in Berlin,” wherein he (literally) phones it in from Germany. None of the original Ramones (Joey, Johnny, Dee Dee, and Tommy) would die in Berlin, but they have all now passed away. Three of them have been dead for over a decade now. However, those Ramones weren’t the Ramones by the time the band was winding it all down. Adios Amigos! isn’t a stain on their legacy by any means. It has its moments, and it sounds like the Ramones, which has merit. Based on their album title, obviously, they knew this was the end. They didn’t go down in a blaze of glory, but at least they said goodbye without embarrassing themselves.

I Hand-Craft Animal Masks From Hammered Steel

I live in a crowded city and that can sometimes make me feel alienated. Especially when I see how the world is shaped by a passion for consumption. To cope with this fragmentation, I retreat to mountains for summer months. Nature helps me reconnect to the things that matter, and eases the sense of isolation.

For me solitude is a gateway to creativity. My art is a response to social alienation. I see how society is full of turmoil and chaos. Creativity is a process that is alive in all things, and relates with human roots running deep with meaning. This evolution, from poor progress to doing something better needs patience. We need patience and have to know pain. What we have is time and space to use creativity in becoming better. When using the metal pieces I am using time and space, past and future, all that is in life. I have previously created a metal lion,

Tiger

Fox

Lynx

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Dave Grohl 'breaks leg' in stage fall

Foo Fighters star Dave Grohl 'breaks leg' in stage fall

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Christopher Lee has died at the age of 93

Christopher Lee has died at the age of 93

The legendary actor was best known for his roles in Count Dracula, Hammer horror films, and Lord of the Rings.

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infest-2012-review

Well now, where shall i begin to tell you about my Infest 2012.  I don't think anyone who was there would argue that the turn out this year was well down on usual, I don't doubt tough economic times may have played a part for some, having Resistanz early next year also may have informed some regulars decisions but I think that this years line up may have had a large part to play, hmmm to go or not to go that was the question, the one part of me wanted to go 'cos, well it's Infest and not only the event but the chance to catch up with friends I only get to see when we're there.  I did want to see Suono and of course Suicide Commando, now you understand this is just my opinion and of course I don't expect you to agree but the rest of the line up didn't set me on fire and so after a degree of mming and erring booked tickets, accommodation and stuff and prepared

to party.

Friday saw us arrive at the venue at around 3pm and it's no exaggeration to say it was very quiet.  Spacebouy provided synth pop with a modern twist and though noise isn't really my thing Dirty K managed to bring both rhythm and noise together, yeah it's noise but good noise.  As more of our friends and aquaintances arrived we tended to get caught up in the usual drink, greet, gossip, drink scenario and so the rest of Friday past without us spending too much time in the main room.

 Saturday saw another fairly quiet start and instead of needing to be down front at least 15 minutes befoe kick off there was still loads of room at 5 minutes to go.  We got well up front for Suono at 5pm and in hindsight 5 was way too early for them to be on as they were the "dark horses" of Saturday if not the weekend and for me personally saved the day!  Having seen them I know what people mean when they say their studio sound doesn't quite yet catch the essence of their live performance but man do those boys deliver when you do see them live !! I've heard them compared to Sam and XRX and I get that but if you have had doubts about seeing them live, my friends, doubt no more and if you missed them then you missed a treat.  Their boundless infectious enthusiasm and techno dance beats soon had everyone partying along, I just wish that there had been more in the room to see them, I can see them rapidly becoming firm favourites not least for the music as I distinctly heard the comment from behind me "oohh they are cute boys too" Suono, you heard it here first !

Sunday seemed for the most part a more chilled affair during the day, I think a lot of us had partied pretty hard on Saturday and were taking things a bit steady, however as the day wore on and various "hairs of the dog" pulled everyone round an air of anticipation began to build, no surprise really as headlining - drum roll, Ladees and Gentlemen, Infest gives you for one night only, the one, the only, Suicide Commando !! cue storms of applause and rush for the front !! and rush we did as it was the only time of the weekend you had to be down front half an hour before - and we were.

Right from the first storming song, Johan pounded around the stage at once admonishing us with the famous waggy finger whilst encouraging us to "Come on and hate Me"  Attention Whore had everyone pounding up and down (was it meant for all of us? of course it was ! we know what we are) along with Die Motherfucker Die and classics such as Time, but for me, the highlight was being forehead to forehead with the man himself yelling Bind, Torture and Kill an experience which will stay with me for quite some time.  After two encores the set came to a sweaty, shouty, excitable end way too soon for all of us, leaving the lovely Tails (Tales) ?? sorry man, forgive me, I don't know which way to spell it our world famous M.C. to announce the raffle and the prize of prizes must surely have been the wonderful Beer Can Headpiece, for those who saw it you know what I mean, finally a big shout out to The Infamous Rubber Nun, Das TinTin and Zombie Chris - you know who you are ...........

As always Infest delivered on many levels, the Jager, the stalls, the crowd and the bands, if there is just one small comment I would make it would be that what Infest does Brilliantly is give lesser known and new artists a platform but for next year we need a few more names please, in the current crappy economic climate in this country and with Resistanz snapping at Infest's heels we need bands to pull us all in and keep Infest what it is, well Infest, let's face it if you've never been before you really need to come along next year and to everyone who always is, see you there next year motherfuckers !!!

Love and Jager to all,

Dawnie xxxx

credits@ photos adam w/ www.amodelofcontrol.com

- See more at: http://www.darkasylum.co.uk/blogs/1317/42/infest-2012-review#sthash.oJBdpqTw.dpuf