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What Netflix Raising Prices Might Mean For Customers In The Near Future

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Disney / Netflix

   

The Ramones Said ‘Adios’ With A Whimper, But At Least They Didn’t Embarrass Themselves

Ramones_-_Adios_Amigos_cover

Album Cover

The Ramones of the ’70s are iconic. They were at the vanguard of punk, and arguably pop punk, and created songs that are still considered classics of the genre today. You go to a sporting event, you hear “Blitzkrieg Bop.” Their look was easily recognizable, and influential. They appeared in Rock ‘N’ Roll High School. Then came 1980’s End of the Century which was, in its own way, the end of an era for the band. By 1995, when they released their final studio album Adios Amigos!, they were no longer part of the zeitgeist. They were an afterthought, and they weren’t even the same band. The change from Tommy to Marky on the drums had happened a while back, with a brief stay from Richie in there as well, and, in truth, changing the drummer isn’t really going to rile up many people. However, by the time of Adios Amigos!, Dee Dee was also all but gone, although his presence is still felt on the album, as he is credited as the writer on many of the songs, including a handful from other projects of his. He had been replaced with C.J. Ramone, who was given a lot of credit by his bandmates for bringing some much-needed youthful energy to the band. C.J. could only do so much, though. This was a band that had been releasing music for 20 years. Nobody could blame them for being burnt out. Adios Amigos! begins with the iconic “1, 2, 3, 4!” count off that was synonymous with the band, but after that it feels decidedly like warmed-over Ramones. Now, this could be where one would break out the old chestnut about how even bad pizza is pretty good, and how the same can be said for the Ramones. The Ramones were still making the music they’ve made for years. Charging guitars. Simple drumbeats. Although, they do slow it down a bit more than they did in the past, in part to ease the strain on Joey’s vocals. He gets to croon a bit, and he’s not half-bad at it. The album is hit-or-miss. In addition to the songs from Dee Dee, there is a cover of Tom Waits’ “I Don’t Want to Grow Up” and Johnny Thunders’ “I Love You.” They are both fine. “Fine” is about the highest level this album achieves. “Life’s a Gas” is pretty good, but also goes on a bit too long. In the end, the songs that Joey sings on are reminiscent of the glory days of the Ramones. The issue is that on four of the tracks, C.J. takes the lead vocals. One of the song, “Scattergun,” is OK, but the others are abysmal. Of course, one of those songs is “The Crusher” from Dee Dee’s brief time as a rapper, so C.J. can’t take all of the blame. Nevertheless, it’s one of the worst things ever recorded for posterity. Dee Dee’s impact on the album is felt in his songwriting, but his only tangible appearance is on the final song “Born to Die in Berlin,” wherein he (literally) phones it in from Germany. None of the original Ramones (Joey, Johnny, Dee Dee, and Tommy) would die in Berlin, but they have all now passed away. Three of them have been dead for over a decade now. However, those Ramones weren’t the Ramones by the time the band was winding it all down. Adios Amigos! isn’t a stain on their legacy by any means. It has its moments, and it sounds like the Ramones, which has merit. Based on their album title, obviously, they knew this was the end. They didn’t go down in a blaze of glory, but at least they said goodbye without embarrassing themselves.

If My Cat Could Speak

Cats know so many things. They definitely know the meaning of life. They are wiser than you, they are more intelligent than you, and they are generally better than you in everything. You must accept it – you’ll never be as good as your cat. But can you imagine what would happen if your cat could speak? That’s right – it would judge you. Every step of the way.

My cat always watches me with a look which says, “You’re stupid.” So this is an illustrated story about the things my cat (I presume) would say if he could speak. And it makes me think I am lucky that he can’t…

Seriously?

Feed me, slave!

Go away…

I have no time for you

Not listening…

You’re stupid

The door

Just no

Our Top Five Jean-Luc Memes For Captain Picard Day

Courtesy Floating World Comics
Sure, Ryan Gosling’s Hey Girl had a moment, and Ed Stark’s getting his five minutes of fame, but for internet memes that have staying power, you can’t beat Jean Luc Picard, Commander of the USS Enterprise and stoic star of The Next Generation. Truth is, Picard is so versatile, folks can't stop employing him for creative—and often hilarious—purposes. And what better time of year to do so than in the run up to Captain Picard Day, which takes place this Saturday, an opportunity to "engage" with the Commander of the USS Enterprise and stoic star of the Next Generation. In homage, Floating World Comics is running an “art contest and show to celebrate the beauty and wisdom of Jean Luc Picard”. Those interested in submitting their Picard-inspired artistic offerings have until end of day today (Wednesday) to bring something by Floating World Comics, with the winner announced—along with prize-giving shenanigans and an opportunity to check out some of the entries—at the Floating World Comics Couch Street store on Saturday. (That's 400 NW Couch Street from 4-7:30 pm). And in case you're in need of inspiration, we’ve compiled our top five Jean-Luc Picard memes to get your creative juices flowing . ..

Surprised

It doesn't happen often, but Jean Luc Picard is occasionally surprised. See above for Floating World Comics' awesome use of said meme. But, as the Captain himself makes clear below, there are other options . . .
Courtesy quickmeme.com

Annoyed

You know it's bad news when you crack the unflappable exterior of Jean-Luc Picard and he unleashes the beast. Or, more likely, gets mildly irritated with you . . .
Courtesy quickmeme.com

Facepalm

All hail the Captain for a Facepalm still that gives and gives . . .
Courtesy Frabz.com

Yaysies

This person took the yaysies meme and boldly went where no man had gone before...  

Make it so

No Picard meme list is complete without the inevitable play on his phrase "Make it so." Behold a few of our favorites. Happy Jean-Luc Picard day!    
   
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Gene Wilder Biography Author, Actor, Comedian (1933–)

Gene Wilder - Willy Wonka (TV-14; 01:14) Watch a short video about Gene Wilder to learn how he recovered after the loss of his wife Gilda Radner.

Synopsis

Gene Wilder began his movie career in 1967's Bonnie and Clyde, but he became famous as a favorite of writer/director Mel Brooks. His wacky roles in films such as Young Frankenstein, Blazing Saddles and Willy Wonka & the Chocolate Factory made him an unforgettable comedy icon. In his later years, Wilder has become a serious novelist, writing a memoir and several novels.

Early Life

Gene Wilder was born Jerome Silberman in Milwaukee, Wisconsin, on June 11, 1933, to a Jewish family. His father, William, had emigrated from Russia. His mother, Jeanne, was often ill from complications from rheumatic heart disease, and a doctor warned the 8-year-old Jerome, "Don't ever argue with your mother... you might kill her. Try to make her laugh." These circumstances began Wilder's lifelong calling to acting, as he made his mother laugh by putting on different accents. After a brief stint in a California military academy, Wilder moved back to Milwaukee and became involved with the local theater scene, making his stage debut as Balthasar in a production of Romeo and Juliet. After graduating from high school, Wilder studied communication and theater arts at the University of Iowa, following that with a year studying theater and fencing at the Bristol Old Vic Theatre School in Bristol, United Kingdom. He returned to the United States to study the Stanislavski method of acting but was promptly drafted into the U.S. Army for two years, during which time he worked as a medic in Pennsylvania. Next, Wilder moved to New York City, where he took a variety of odd jobs, including a position as a fencing teacher, to support himself while he studied acting.

Early Career

At age 26, Wilder decided that he "couldn't quite see a marquee reading 'Jerry Silberman as Macbeth'" and took the stage name Gene Wilder. He took his new first name from a character in a Thomas Wolfe novel, and his last from the playwright Thornton Wilder. He started appearing with some regularity in off-Broadway and Broadway shows. In a 1963 production ofMother Courage and Her Children, he met Anne Bancroft, who introduced him to her boyfriend, Mel Brooks. Wilder and Brooks became fast friends, and Brooks decided he wanted to cast Wilder in a production of the screenplay he was writing, The Producers.

Film Career

Wilder made his film debut with a minor role in 1967's Bonnie and Clyde. He took on his first major role in The Producers, playing Leo Bloom against Zero Mostel's Max Bialystock. The film was a box office flop and received mixed reviews, but Wilder earned an Academy Award nomination for Best Supporting Actor. He quickly became an in-demand commodity in Hollywood, taking parts in several comedies, including the idiosyncratic title character inWilly Wonka & the Chocolate Factory.

Willy Wonka brought to life the weird and wild Roald Dahl book of the same name, and it thoroughly established Gene Wilder as a leading man who could hold his own in any comedic situation. As the enigmatic Wonka, Wilder chewed the scenery right into a Golden Glove nomination for best actor and became known to a legion of young film-goers.

Despite Wilder's personal success, though, none of his films of this period met with much commercial success. He finally broke that streak with a role in Woody Allen's 1972 film Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask). He then took a last-minute role in Mel Brooks' 1974 comedy Blazing Saddles, a decision that would help define his career.

Blazing Saddles was a western like no other, and it set out to offend every viewer equally. Now a cult classic, the movie set Wilder on a path through his other classic films, including four with Richard Pryor: Silver Streak (1976), Stir Crazy (1980), See No Evil, Hear No Evil (1989) and Another You (1991).

Stir Crazy, in which Wilder and Pryor played prison inmates, was a notable hit, and like Blazing Saddles before it, the film helped to cement Wilder's reputation as a comedy legend.

Wilder began writing and starring in more films in 1974, starting with Young Frankenstein (in which he played Dr. Frederick Frankenstein). Like Blazing Saddles, Young Frankenstein set out to turn an established genre, this time horror, on its head. Starring Wilder as the infamous Dr. Frankenstein's grandson, the movie is unrelenting in its jokes and sight gags, and audiences have been connecting with it since the day it hit theaters.

Wilder also wrote, directed and starred in 1975's The Adventure of Sherlock Holmes' Smarter Brother and 1977's The World's Greatest Lover. WhileYoung Frankenstein was a hit and achieved a huge cult following, the others failed to gain positive critical response and were commercially unsuccessful.

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World's First Wireless MIDI Guitar Controller for Acoustic Guitar - ACPAD

The ACPAD story

ACPAD was born out of necessity. A need for flexibility, live stability and creative freedom. Berlin musician Robin Sukroso needed a piece of equipment that would allow him to bring his love of both electronic and acoustic music together; that could withstand playing every night, that was easy and intuitive to play, and that could let him explore an entirely new world of sound.

The ACPAD began as an idea and a desire. After 3 years of research, development and a lot of trials, the ACPAD is finally ready for the world. Sukroso along with his partners at IIT Bombay created a new 2 mm thick interface having no wires or screws, a stick-on wireless MIDI controller that is powered by a rechargeable battery. ACPAD is a device with true portability and tonal versatility.

The ACPAD allows players to blend both acoustic and electronic sounds with FX and assignable tap pads. Create whatever sound you want with ACPAD. It is strong, flexible and offers a new world of creativity you have been looking for. ACPAD is an electronic orchestra in your hands!

capsA

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JAPAN'S ROBOT RESTAURANT INSANE

' WILL OVERLOAD YOUR BRAIN

There are few places more dazzling in the Robot Restaurant located in Shinjuku, Japan. We use the term 'restaurant' very loosely because it's more like a variety show, that you just happen to be dining at.

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A visual feast for the senses, where the every which way you look is a kaleidoscope of colourful lights and relentless noise, where drummers are armed with glow sticks, cyber strippers fling themselves around neon poles and life-sizes robots go head-to-head in boxing matches.

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But the fun doesn't end there, we haven't even mentioned the flying Terrordactyls, giant sharks, bigger Anacondas and the dance off between robots starring a bevy of scantily clad women, naturally.

So if you're in Japan and literally want to have your brain overloaded to the point where it's nearly melting, make sure you head to the Robot Restaurant, it's an experience you won't forget anytime soon.

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It’s hard to imagine an experience more perfectly suited to Tokyo, and one less likely to exist anywhere else, than Shinjuku’s Robot Restaurant. With a stage show that stretches the definition of terms like “elaborate” and “bizarre,” the restaurant has quickly become one of the city’s most popular venues.

Robot Restaurant Tokyo

We were dazzled by the Robot Restaurant from the moment we spotted it. The entire facade was illuminated in blinding LED lights, and towering lady robots with giant bouncing breasts were roving about the foyer. A band inspired by Daft Punk was rocking out behind the robots, and everything was flashing and loud and over-the-top. Sensory overload? Definitely. And we hadn’t even picked up our tickets yet. I suspected that the performance was going to be more like sensory assault.

Having arrived well in advance of the evening show, we passed the extra time in the restaurant’s upstairs lounge. You’ll want to do the same, because the lounge is unbelievable. It’s as though the world’s most outrageous interior designers were given crayons, glue sticks, glitter and mescalin, and told to go crazy. Everything is mirrored and shining. On every table, there’s a robot dinosaur. On the stage, a lady-band clad in metallic bikinis and angel wings is playing soft lounge music. The drinks are cheap and the vibe couldn’t be better. You and the people around you are in a place unlike anywhere any of you have ever been, and you’re all excited and giddy and talkative. It’s a bonding experience.

Now, however, it’s showtime. You and your new friends head into the underground theater, take your seats, and await the spectacle. Soon, the lights go out, the speakers switch on, and giant vehicles appear on either side of the narrow stage, ridden by ladies dressed as Amazonian war princesses from the year 3000. They’re pounding on drums, rotating around the stage, screaming and dancing to the music, and you’re just… confused. What the hell is happening? It’s hilarious, pointless, impressive and overwhelming in equal measure.

And that’s just Act One! By the end of the show, which stretches out across seven or eight acts, you’ll have perhaps seen boxing robots. Women riding huge mechanical cows. An alien-eating shark robot. Huge motorcycles and airplanes with pole-dancing lady passengers. A tank, I think. There was definitely a freedom-fighting panda. The shows change frequently, so you might see other things entirely, things which no sane human would ever be able to predict.

We had fun from the moment we entered the Robot Restaurant, and I’m not sure my brain has yet been able to process everything we saw. Almost as much as the show, we enjoyed watching the spectators sitting across from us. Without exception, they had their eyes wide open and huge smiles plastered across their faces. I’m sure it’s how we looked, too.

Link: Make your Robot Restaurant Reservations Here

Location on our Map

Buy Japanese Robotics Here

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Happy Birthday Vincent Price - May 27 13 Greatest Vincent Price Movies

 christopher lee vincent price 999

 13 Greatest Vincent Price Movies

After an early Broadway debut, the late great Vincent Price (1911-1993) toiled in Hollywood films for over 50 years and appeared on countless TV shows (including everything from The Carol Burnett Show to The Brady Bunch). But, of course, the actor will always be remembered for his horror and villainous roles by generations of monster kids (whose ranks include director Tim Burton, who cast Price in one of his last—and best—screen assignments, 1990’s Edward Scissorhands). Chiller’s latest edition of The Friday 13 salutes the career of this scream legend on the occasion of his upcoming birthday (May 27). Helping us celebrate: Price’s own daughter and official biographer, Victoria. (Titles arranged according to year of release.)
1. The Invisible Man Returns (1940)
  • The Invisible Man Returns Trailer

At age 28, stage-trained thespian Vincent Price joined Universal Studios’ classic monsters bullpen in this sequel to the James Whale/Claude Raines hit. Price stars as a man scheduled to hang for a murder he didn’t commit who takes an invisibility serum to apprehend the real killer. “The first ‘glimpse’ (!) of what Vincent Price could do with just his voice,” recalls daughter Victoria Price. The mellifluous actor disappeared into the role again with an amusing voiceover cameo for 1948’s hilarious Abbott & Costello Meet Frankenstein.
2. Dragonwyck (1946)
  • Dragonwyck scene

In one of the parts dearest to his heart, Price portrays Nicholas Van Ryn, drug-addicted/wife murdering aristocrat, who lords over a gloomy mansion. “This movie meant a great deal to my father,” Victoria recalls. “He was playing a portly priest in Keys to the Kingdom, and he approached [director] Joe Mankiewicz with his desire to play the lead in Dragonwyck. The director basically said that he was totally the wrong type for the role. So my dad lost a lot of weight and really prepared for the audition—and got the role. It was his first leading film role in a genre that would become so important to him.”
3. House of Wax (1953)
  • House of Wax (1953) -- Unmasked

As the hideously scarred sculptor Henry Jarrod, who uses real human bodies as his museum wax figures, the art-loving actor cemented his reputation as a monstrous screen villain in this 3-D smash. “House of Wax came at a very important juncture in my father’s life,” reveals Victoria. “He had just been cleared from one of [Red Scare instigator] Joe McCarthy’s lists and allowed to work again in Hollywood. He was offered two roles—one on Broadway and one for a film about an artist incorporating an interesting new technology [3-D]. The rest, as they say, is history!”
4. House on Haunted Hill (1958)
  • Vincent Price - House On Haunted Hill - Trailer

In this wickedly scary gimmick film from producer/director William Castle, Price stars as a sarcastic millionaire who offers five strangers $10,000 a piece if they survive the night in the titular ghost hangout. This hit film garnered Price even more fans in the genre he would call home. Says Victoria, “Who doesn’t love Vincent Price as the elegantly evil Frederick Loren in House on Haunted Hill?”
5. House of Usher (1960)
  • The House of Usher (1960). The family, explained

Price’s career continued to ascend in horror circles when he top-lined this classy Edgar Allan Poe adaptation, scripted by Richard (Twilight Zone) Matheson and directed with stylish efficiency by B-movie king Roger Corman. “Roderick Usher was one of my dad’s great roles, in my opinion,” says Victoria of the tragic, hypersensitive Usher, a man with, let’s say, family issues. “As the tortured aesthete, he was so handsome in that film!”
6. The Pit and the Pendulum (1961)
  • The Pit and the Pendulum (1961) - The Pendulum Swings

The popularity of House of Usher for independent studio American International Pictures spawned a whole series of Poe flicks, most starring Price as equally troubled characters and bad guys. In Corman’s Pit and the Pendulum, Price limns Nicholas Medina, beleaguered son of a notorious Spanish Inquisition torturer who dusts off Pop’s ancient playthings thanks to his scheming wife (Barbara Steele). Shudders Victoria, “Pit and the Pendulum scared me to death when we had to watch it in school!”
7. The Comedy of Terrors (1963)
  • The Comedy of Terrors - Vincent Price (1/1) Not Quite Dead Enough (1963) HD

The horror celebrity always enjoyed sending up his image in both film and television, and in this hoot, directed by Cat People’s Jacques Tourneau, he’s a boozy undertaker who’ll literally murder for customers. “My dad loved getting to work with his dear friend Boris Karloff and the legendary Peter Lorre, whose eulogy he gave just a few years later,” remembers Victoria. “And boy did they have fun!” And we can tell!
8. The Masque of the Red Death (1964)
  • Theatrical Trailer - The Masque of the Red Death (Vincent Price)

In this masterpiece of Corman/AIP’s Poe cycle, Price essays the diabolical Prince Prospero, who throws a decadent bash while plague decimates those outside his castle walls. “A few years ago,Masque of the Red Death was shown at three straight events I attended,” Victoria notes of Masque’s enduring appeal amongst cinema scholars. “The movie is so surreal and ’60s. And Nic Roeg’s saturated cinematography is iconic.”
9. The Last Man on Earth (1964)
  • The Last Man on Earth - Vincent Price (1/1) The Living Dead Attack (1964) HD

Tinseltown raided Richard Matheson’s excellent novel I Am Legend (about a vampire-plagued world) three times, beginning with this low-budget effort. Price’s version stands as the most faithful to Matheson, and the Rome-lensed movie also proved even more significant to Victoria. Sshe explains, “I owe my existence to Last Man on Earth! My parents moved to Italy for an extended period of time. Let’s just say that ‘La Dolce Vita’ worked its magic on 44-year-old Mary Grant Price and 50-year-old Vincent Price. When my mother started craving Chinese food in Europe, they had no idea I was the cause. But I ended up being a very happy surprise for them both…all because ofLast Man on Earth!”
10. The Tomb of Ligeia (1964)
  • The Tomb of Ligeia - Vincent Price (1/1) A Prophecy of Ligeia’s Return (1964) HD

With a literate script by future Chinatown scribe Robert Towne, Corman and Price ended their Poe run with a fiery finish. As the downcast Verden Fell, Price suffers at the hands—and possessed feline claws—of his jealous deceased wife, who stalks her man when he remarries. As the haunted husband, Price contributes a subdued and nuanced performance, never upstaged by the movie’s killer cat or impressive English locations. “Tomb of Ligeia was Vincent’s personal favorite Poe film,” his offspring reveals.
11. Witchfinder General (1968)
  • The Mark of Satan Is Upon Them - Witchfinder General (Vincent Price)

In this intense film (released in the U.S. as Conqueror Worm), St. Louis-born Price tackles real-life 17th century British witch hunter Matthew Hopkins, who traveled the English countryside persecuting innocent people for practicing witchcraft. As the despicable Hopkins, Price abandoned the flamboyance of some of his previous dastardly turns. “Working with [director] Michael Reeves was very, very difficult for my father,” admits Victoria. “He understood what Reeves wanted, but his methods and his youthful arrogance were difficult for my dad—who was about the nicest man on the planet. Ultimately, however, the malevolence which my father achieved made the part one of his most memorable.”
12. The Abominable Dr. Phibes (1971)
  • The flying unicorn Abominable Dr Phibes

In this art-deco tour de force, Price has a campy field day as the revenge-minded disfigured doctor who unleashes his own translation of the biblical plagues on the men who failed to save his wife’s life. Price returned as the noble madman in the equally entertaining Dr. Phibes Rises Again a year later. “Classic, stylistic and quirky, Dr. Phibes reteamed Vincent with his dear old friend of 40 years, Joseph Cotton,” says Victoria of the two actors who met while performing with Orson Welles’ Mercury Theatre. “And I am still struck by how expressive he was in that film of few words.”
13. Theater of Blood (1973)
  • Theatre of Blood (1973): A pound of flesh

An even blacker comedic twist on the Phibes pictures, Theater of Blood rates as Price’s cinematic triumph, and one that encapsulates his entire oeuvre. This occasion he’s failed Shakespearean actor Edward Lionheart who, believed dead, elaborately murders the stuffy British reviewers responsible for his worst notices. Victoria catalogues how much Theater of Blood meant to dear Dad: “When you get to: a) fall in love with your future wife [Coral Browne] in a graveyard; b) electrocute her while playing a gay hairdresser; c) kill off all the critics; d) work with Diana Rigg and so many other great British actors; and e) recite Shakespearean verse while doing all of the above—how could it not be one of my father’s favorite films?”

We could easily list another 13 petrifying Price pictures on this list, so if you have the desire to learn more about the man and his movies, go to www.vincentprice.com, check out Shout Factory’s definitive two volume Vincent Price Collection on disc and pick up Victoria’s wonderful book Vincent Price: A Daughter’s Biography, as well as Lucy Chase Williams’ The Complete Films of Vincent Price.

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iOS bug lets people crash others' iPhones by sending them one line of text

iOS bug lets people crash others' iPhones by sending them one line of text

broken
Though the effects of the prank can be fixed, there doesn't seem to be a way of stopping it happening
iPhones can be crashed if they receive a text containing one specific line of Arabic characters and symbols.

Sending the letters in a text message causes the phone to crash and then power off, leaving the Messages app unusable once the iPhone turns back on. Users have found a way of fixing the problem once it has happened, but there appears to be no way to keep phones from being vulnerable to it happening again.

If users open the Messages app and the problem text is still open, users can just send a reply to fix the problem. If it's not, users must either receive a message or send a message to themselves, using Siri or by texting from the "share" option that can be found in many apps.

The problem appears to come from the way that the phone tries to show the message in notifications. The characters cause that system to break, so that it briefly tries to show it before crashing and then re-setting the phone in an attempt to fix it.

It doesn't turn it off, it just crashes it. If ur jailbroken, it sends you to safe mode and if ur non-jailbroken, it just resprings your device.

effective.

Power

لُلُصّبُلُلصّبُررً ॣ ॣh ॣ ॣ 冗

Send that to someone with an iPhone it turns their phone off


Copy all above the line and text it to another iPhone and it will shut it off.

I wonder what other things we can control with this, rather than just "power off the device."

Any ideas?

Edit 1: you don't need that first line, plus i fixed it

edit 2: a list of things we discovered so far

  • it only seems to work if your phone is not on safe mode
  • on a jailbroken phone it shoots you into safe mode...could means that it might be related to a Springboard vulnerability
  • it doesn't work if the person you are sending is looking at your texts, they can be anywhere else on their iPhone

edit 3: something i've noticed, apple changes the api with every new ios, right? maybe it has something to do with that?

edit 4: what's weird is I'm on iOS 8.1.2 and it crashes my phone as well...

edit 5: we found out what it is. it is due to how the banner notifications process the Unicode text. The banner briefly attempts to present the incoming text and then "gives up" thus the crash creds to /u/sickestdancer98

The text was found by Reddit users, who also discovered how the problem was affecting phones. The issue seems to have been around since iOS 6, users said, which was released in 2012.

Apple's engineers are aware of the problem and are looking to fix it, according to Twitter users. Members of the site also found what was going on to make it work.

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This “Kettle” Rod Is a Brilliant Energy-Saving Way to Make Tea

This “Kettle” Rod Is a Brilliant Energy-Saving Way to Make Tea

This “Kettle” Rod Is a Brilliant Energy-Saving Way to Make Tea

Do you use an electric kettle to make tea? Then you’re using way too much water and too much power heating an overfilled vessel. But! We found this cool new Kickstarter project that saves energy and looks sleek in a kitchen.

It kinda looks like a thick, chic Frisbee, and it’s a pretty ingenious idea. Instead of heating a big kettle, you plop your mug on the device, and heat only the amount of liquid you’ll drink right then and there. This saves water and energy, since smaller amounts of water (or whatever) is heated at a time.

It’s called Miito, and it describes itself as “the sustainable alternative to the electric kettle.” It’s already raised over $340,000—more than double its goal.

The Kickstarter page quotes sustainability strategist Leyla Acaroglu’s TED Talk: “One day of extra energy use [from overfilling electric kettles] is enough to light all the streetlights in England for a night.”

You can also use it to warm up bowls of soup, glasses of milk, mugs of hot chocolate, whatever. Here’s how it works: Put your filled tea cup on the small induction patch on the “kettle,” which is entirely cool to the touch. Slip in an induction rod. The induction patch heats the rod, boiling the liquid from within.

It sounds like the device won’t be wireless, at least at first, which is kind of a bummer. But if it means nuking stale coffee won’t involve a loud microwave caked with sauce stains, we’re all for it. Take my money and start heating my single serving of English breakfast, please.

This “Kettle” Rod Is a Brilliant Energy-Saving Way to Make Tea

 Miito Kickstarter page

 

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