Marilyn Manson is no stranger to the world of acting, recently starring in shows like Sons of Anarchy and Once Upon a Time. Up next, like fellow singer Lady Gaga before him, Manson joins the cast of a small screen horror favorite. Read on!
Manson has been cast in Season 3 of WGN’s Salem, which began production this week. He will guest star as Thomas Dinley, the town’s barber/surgeon to whom residents go for anything “from a shave and a haircut to being leeched, bled, sliced open or sewn up.”
Manson previously collaborated with Tyler Bates on Salem‘s opening theme song, though he has never before appeared on-screen in the series.
Set in the volatile world of 17th century Massachusetts, Salem explores what really fueled the town’s infamous witch trials and dares to uncover the dark, supernatural truth hiding behind the veil of that infamous period in American history. Season 3 will pit the power-hungry devil against Mary Sibley.
The Ramones of the ’70s are iconic. They were at the vanguard of punk, and arguably pop punk, and created songs that are still considered classics of the genre today. You go to a sporting event, you hear “Blitzkrieg Bop.” Their look was easily recognizable, and influential. They appeared in Rock ‘N’ Roll High School. Then came 1980’s End of the Century which was, in its own way, the end of an era for the band. By 1995, when they released their final studio album Adios Amigos!, they were no longer part of the zeitgeist. They were an afterthought, and they weren’t even the same band.
The change from Tommy to Marky on the drums had happened a while back, with a brief stay from Richie in there as well, and, in truth, changing the drummer isn’t really going to rile up many people. However, by the time of Adios Amigos!, Dee Dee was also all but gone, although his presence is still felt on the album, as he is credited as the writer on many of the songs, including a handful from other projects of his. He had been replaced with C.J. Ramone, who was given a lot of credit by his bandmates for bringing some much-needed youthful energy to the band. C.J. could only do so much, though. This was a band that had been releasing music for 20 years. Nobody could blame them for being burnt out.
Adios Amigos! begins with the iconic “1, 2, 3, 4!” count off that was synonymous with the band, but after that it feels decidedly like warmed-over Ramones. Now, this could be where one would break out the old chestnut about how even bad pizza is pretty good, and how the same can be said for the Ramones. The Ramones were still making the music they’ve made for years. Charging guitars. Simple drumbeats. Although, they do slow it down a bit more than they did in the past, in part to ease the strain on Joey’s vocals. He gets to croon a bit, and he’s not half-bad at it.
The album is hit-or-miss. In addition to the songs from Dee Dee, there is a cover of Tom Waits’ “I Don’t Want to Grow Up” and Johnny Thunders’ “I Love You.” They are both fine. “Fine” is about the highest level this album achieves. “Life’s a Gas” is pretty good, but also goes on a bit too long. In the end, the songs that Joey sings on are reminiscent of the glory days of the Ramones. The issue is that on four of the tracks, C.J. takes the lead vocals. One of the song, “Scattergun,” is OK, but the others are abysmal. Of course, one of those songs is “The Crusher” from Dee Dee’s brief time as a rapper, so C.J. can’t take all of the blame. Nevertheless, it’s one of the worst things ever recorded for posterity.
Dee Dee’s impact on the album is felt in his songwriting, but his only tangible appearance is on the final song “Born to Die in Berlin,” wherein he (literally) phones it in from Germany. None of the original Ramones (Joey, Johnny, Dee Dee, and Tommy) would die in Berlin, but they have all now passed away. Three of them have been dead for over a decade now. However, those Ramones weren’t the Ramones by the time the band was winding it all down. Adios Amigos! isn’t a stain on their legacy by any means. It has its moments, and it sounds like the Ramones, which has merit. Based on their album title, obviously, they knew this was the end. They didn’t go down in a blaze of glory, but at least they said goodbye without embarrassing themselves.
Well now, where shall i begin to tell you about my Infest 2012. I don't think anyone who was there would argue that the turn out this year was well down on usual, I don't doubt tough economic times may have played a part for some, having Resistanz early next year also may have informed some regulars decisions but I think that this years line up may have had a large part to play, hmmm to go or not to go that was the question, the one part of me wanted to go 'cos, well it's Infest and not only the event but the chance to catch up with friends I only get to see when we're there. I did want to see Suono and of course Suicide Commando, now you understand this is just my opinion and of course I don't expect you to agree but the rest of the line up didn't set me on fire and so after a degree of mming and erring booked tickets, accommodation and stuff and prepared
to party.
Friday saw us arrive at the venue at around 3pm and it's no exaggeration to say it was very quiet. Spacebouy provided synth pop with a modern twist and though noise isn't really my thing Dirty K managed to bring both rhythm and noise together, yeah it's noise but good noise. As more of our friends and aquaintances arrived we tended to get caught up in the usual drink, greet, gossip, drink scenario and so the rest of Friday past without us spending too much time in the main room.
Saturday saw another fairly quiet start and instead of needing to be down front at least 15 minutes befoe kick off there was still loads of room at 5 minutes to go. We got well up front for Suono at 5pm and in hindsight 5 was way too early for them to be on as they were the "dark horses" of Saturday if not the weekend and for me personally saved the day! Having seen them I know what people mean when they say their studio sound doesn't quite yet catch the essence of their live performance but man do those boys deliver when you do see them live !! I've heard them compared to Sam and XRX and I get that but if you have had doubts about seeing them live, my friends, doubt no more and if you missed them then you missed a treat. Their boundless infectious enthusiasm and techno dance beats soon had everyone partying along, I just wish that there had been more in the room to see them, I can see them rapidly becoming firm favourites not least for the music as I distinctly heard the comment from behind me "oohh they are cute boys too" Suono, you heard it here first !
Sunday seemed for the most part a more chilled affair during the day, I think a lot of us had partied pretty hard on Saturday and were taking things a bit steady, however as the day wore on and various "hairs of the dog" pulled everyone round an air of anticipation began to build, no surprise really as headlining - drum roll, Ladees and Gentlemen, Infest gives you for one night only, the one, the only, Suicide Commando !! cue storms of applause and rush for the front !! and rush we did as it was the only time of the weekend you had to be down front half an hour before - and we were.
Right from the first storming song, Johan pounded around the stage at once admonishing us with the famous waggy finger whilst encouraging us to "Come on and hate Me" Attention Whore had everyone pounding up and down (was it meant for all of us? of course it was ! we know what we are) along with Die Motherfucker Die and classics such as Time, but for me, the highlight was being forehead to forehead with the man himself yelling Bind, Torture and Kill an experience which will stay with me for quite some time. After two encores the set came to a sweaty, shouty, excitable end way too soon for all of us, leaving the lovely Tails (Tales) ?? sorry man, forgive me, I don't know which way to spell it our world famous M.C. to announce the raffle and the prize of prizes must surely have been the wonderful Beer Can Headpiece, for those who saw it you know what I mean, finally a big shout out to The Infamous Rubber Nun, Das TinTin and Zombie Chris - you know who you are ...........
As always Infest delivered on many levels, the Jager, the stalls, the crowd and the bands, if there is just one small comment I would make it would be that what Infest does Brilliantly is give lesser known and new artists a platform but for next year we need a few more names please, in the current crappy economic climate in this country and with Resistanz snapping at Infest's heels we need bands to pull us all in and keep Infest what it is, well Infest, let's face it if you've never been before you really need to come along next year and to everyone who always is, see you there next year motherfuckers !!!
[tweetmeme]Tonight’s edition of “Dark Wave”— the Sunday night celebration of the “darker side of classic alternative” on Sirius XM’s 1st Wave— featured music by The Sisters of Mercy, This Mortal Coil, Dif Juz, Revolting Cocks, Shriekback, Nash the Slash, Sex Gang Children, The Sound, Siouxsie and the Banshees, PiL, Coil and more.
“Dark Wave,” hosted by Slicing Up Eyeballs founder/editor Matt Sebastian, airs every Sunday from 10 p.m. to 1 a.m. Eastern on Sirius XM’s 1st Wave (Channel 33). The most recent two episodes also are available as part of Sirius XM’s new On Demand service for online subscribers.
Finally, if you’ve got requests for future shows, drop ’em in the comments below.
Playlist: “Dark Wave,” hosted by Slicing Up Eyeballs’ Matt Sebastian — 4/26/15
This Mortal Coil, “Drugs”
Killing Joke, “A New Day”
Front 242, “Circling Overhead”
Peter Murphy, “Final Solution”
The Cure, “Accuracy”
The Chameleons, “Inside Out”
Anne Clark, “Heaven”
Douglas J. McCarthy, “Move On”
Lords of Acid, “I Sit on Acid”
Christian Death, “Dogs”
Iron Curtain, “Shadow”
Moev, “Yeah, Whatever” (12-Inch Version)The Smiths, “Headmaster Ritual”
Abecedarians, “Misery of Cities”
The Jesus and Mary Chain, “Cherry Came Too”
Throwing Muses, “Saving Grace”
That Petrol Emotion, “It’s a Good Thing”
Love and Rockets, “Waiting for the Flood”
Leonard Cohen, “Everybody Knows”
Dif Juz, “No Motion”
Echo and the Bunnymen, “With a Hip”
Coil, “The Snow (Answers Come in Dreams II)”
Depeche Mode, “To Have and To Hold”
Public Image Ltd., “The Order of Death”
Revolting Cocks, “Crackin’ Up”
Ministry, “Revenge”
Nash the Slash, “Swing-Shift”
Siouxsie and the Banshees, “Song From the Edge of the World”
Flesh For Lulu, “Cat Burglar”
Joy Division, “The Only Mistake”
Sex Gang Children, “Guy Wonder”
Xmal Deutschland, “Incubus Succubus II”
The Sisters of Mercy, “Black Planet”
Passion Puppets, “Like Dust”
The Psychedelic Furs, “Sister Europe” (Peel Session)The Mission, “Stay With Me”
Bauhaus, “Fear of Dub”
Gary Numan, “A Dream of Siam”
Skinny Puppy, “Stairs and Flowers”
The Sound, “Sense of Purpose”
Shriekback, “Underwaterboys”
Balam and the Angel, “On the Run”
The Creatures, “Around the World”
