Foo Fighters star Dave Grohl is thought to have broken his leg after falling off the stage during a concert in Gothenburg, Sweden.
The band were two songs into their set at the Ullevi stadium when the singer went to jump on a ramp but missed and fell into the security area. "I think I just broke my leg," Grohl told the crowd as he lay on the ground. "I'm going to go to hospital. I'm going to fix my leg. And then I'm going to come back." He added: "You have my promise right now that the Foo Fighters - we're going to come back and finish the show."Tag: performance
Dave Grohl 'breaks leg' in stage fall
Foo Fighters star Dave Grohl 'breaks leg' in stage fall
Surreal
Eyewitnesses told the BBC that the band continued the concert, playing cover versions whilst Grohl sought medical attention.
Keiron Brennan 43, from London, filmed the moments just after the 46-year-old frontman toppled from the stage.
He said: "We were only around 200 yards away and at first we thought it was a prank but then it became apparent that it was quite serious. The drummer went ashen and jumped down to see where he was. Everyone was worried as we were only two songs into the gig and we couldn't see what had happened to him.
"He reappeared after an hour to continue the concert, sitting in a chair with his leg bandaged.
"It was surreal to see him perform on stage with a medic holding his leg. The crowd was just amazed that he was carrying on. He was just phenomenal. I can't see how he will make the next gig in Holland but then he's more of a man than I am so I wouldn't put it past him," he added.
Grohl fell at 21:00 local time (20:00 BST) and went on to perform for another two-and-a-half hours.
His band later tweeted a picture of what appears to be an x-ray of his leg.
The Foo Fighters are due to play their next concert on Sunday at the Pinkpop festival in the Netherlands, followed by Wembley Stadium in London next weekend and then a headline set at the Glastonbury Festival in the UK on 26 June.
This year has seen several musicians injured on stage.
Florence Welch of Florence and the Machine broke her foot leaping off stage at the Coachella Music Festival in April, while U2 guitarist The Edge misjudged his step and fell off the stage during the opening night of the band's Innocence and Experience tour.
Madonna also fell off stage during a live performance at the Brit Awards. The pop star continued her performance, but said she suffered "a little bit of whiplash".
Christopher Lee has died at the age of 93
Christopher Lee has died at the age of 93
The legendary actor was best known for his roles in Count Dracula, Hammer horror films, and Lord of the Rings.
Film legend Sir Christopher Lee has died at the age of 93, it was reported today.
The actor - known as a horror star in the 1950s before finding fame again in later life - had been treated for heart failure and respiratory problems in hospital.
He died at the Chelsea and Westminster Hospital in London on Sunday morning, the Telegraph reported.
RIP: Sir Christopher Lee has died at the age of 93 in hospital, it was reported today
Classic: The star became known for his portrayal of Dracula in a series of Hammer Horror films
Wizard: Sir Christopher was known to a new generation as Saruman in the Lord of the Rings films
Sir Christopher played Dracula in a series of classic films produced by Hammer Horror, and played Bond villain Scaramanga in 1974's The Man With the Golden Gun.
He became known to a new generation of film fans with his roles in Lord of the Rings, where he played evil wizard Saruman, and the Star Wars prequels.
Some of his most acclaimed performances came in cult films - Sir Christopher starred in The Wicker Man, about a remote community living on a Scottish island, and Jinnah, a biopic about the founder of Pakistan.
After the news broke today, stars and fans paid tribute to the actor whose influence lasted for several generations.
Appearance: The last known pictures of Christopher Lee, at the Berlin Film Festival in February
Couple: Sir Christopher with his wife Birgit at a fundraising ball at the Victoria & Albert Museum in 2012
Jonathan Ross said: 'So sad to hear that Sir Christiphet Lee has died. A great actor, a great star, a surprisingly good singer and a lovely lovely man.'
Comedian Omid Djalili wrote on Twitter: 'Scared the living daylights out of me for years. And I loved him for it. RIP Christopher Lee.'
And Boris Johnson added: 'Really sad to hear about the death of Christopher Lee, one of the greatest British actors and a master of the macabre.'
Sir Christopher was married for 54 years to Birgit Kroencke, a Danish former model. The couple have one daughter, Christina.
He served in the Special Forces during the Second World War, but always refused to discuss what he had done during the war, saying he was bound by an oath of secrecy.
As well as his acclaimed acting career, he had a sideline as a heavy metal singer, releasing four albums in the past two decades, two of which were concept albums about the medieval emperor Charlemagne.
He also unmasked himself as an unlikely Tory in later life, speaking out in support of Michael Howard, William Hague and David Cameron.
His final film appearance is set to be in Angels of Notting Hill, a comedy about the clash of the everyday with celestial beings.
From Prince of Darkness to knight of the realm: The remarkable life and times of Christopher Lee
By JENNY AWFORD
Fame: Christopher Lee as Dracula, the role that first propelled him to public attention
With his piercing eyes, booming voice and chilling presence, Sir Christopher Lee will be forever immortalised as the Prince of Darkness.
His menacing charisma established him early on as one of the film industry’s world-class villains and he went on to star in more than 260 movies before his death at 93.
Sir Christopher brought a demonic intensity to all his roles and became a household name playing notorious villains including Dracula, Scaramanga in The Man With The Golden Gun, Saruman in the Lord Of The Rings, and Count Dooku in the Star Wars prequels.
Hammer Films gave him his big break when they cast him as the creature in 1957’s The Curse of Frankenstein.
His remarkable mime performance as the brain-damaged monster convinced the studio to cast him in his definitive role as the Count in Dracula.
Suddenly Sir Christopher was a bankable star.
Concerned at being typecast in blood-curdling roles and wanting to break free from his image of Dracula, he agreed to star in the 1973 film, The Wicker Man, for free and considers it one of his greatest roles.
He was knighted for services to drama and charity in 2009 and received a BAFTA Fellowship in 2011.
The Hammer Films icon was also presented with a prized British Film Institute Fellowship by his Sleepy Hollow co-star, Johnny Depp, at the 2013 London Film Festival.
Depp described him as a 'national treasure' and said working with Lee was a 'childhood dream come true'.
Often hailed as 'legendary', Sir Christopher once joked: 'To be a legend, you've either got to be dead or excessively old.'
Menacing: Sir Christopher with co-ster Barbara Shelley in 1966's Dracula: Prince of Darkness
Villain: Sir Christopher played Scaramange in 1974 Bond film The Man With the Golden Gun
Standing at an imposing height of 6ft 5in, the world champion fencer did all of his own stunts and holds a Guinness World Record for participating in more on-screen sword fights than any actor in history.
Fluent in English, Italian, French, Spanish and German, he added to his impressive resume by providing the voice-over for many films and video games, including cult classic The Nightmare Before Christmas.
Sir Christopher also used his resonant and unmistakable tones to record several musical works and said he would rather have been an opera singer than anything else.
He became the oldest person ever to record lead vocals on a heavy metal track when he released a progressive symphonic power metal EP about the life of Charlemagne at the age of 88.
By the Sword and the Cross was so well received that he was honoured with the Spirit of Metal award in the 2010 Metal Hammer Golden God awards ceremony.
His career and unusual home life was recounted with self-deprecating wit in his autobiography, Lord of Misrule.
The book gives the reader a privileged glimpse into his upbringing and family life, revealing that he is descended from papal nobility.
Devoted: Sir Christopher was married to his wife Birgit for more than half a century
His mother, Contessa Estelle Marie, was a famous Edwardian beauty who was painted by Sir John Lavery, Oswald Birley and Olive Snell.
Sir Christopher was happily married to Danish model Birgit Kroencke for 53 years and they had a daughter named Christina Erika Carandini Lee.
Before breaking into the film industry, he served in the Royal Air Force and intelligence services during the Second World War.
He was tasked with helping to track down Nazi war criminals in 1945 when he was seconded to the Central Registry of War Criminals and Security Suspects.
Sworn to secrecy, Sir Christopher has been guarded about disclosing any details of his work in military intelligence.
He said: ‘When people say to me, you know - were you in this? Were you in that? Did you work in this? Did you work in that? I always used to say ‘Can you keep a secret?’ And they would say 'Yes, yes' and I would say "So can I".’
Although he will probably be most remembered for his portrayal of a bloodsucking vampire, the true story of his life is actually more strange and fascinating than any of the films he starred in
Tim Curry appearance after suffering stroke
Tim Curry makes rare public appearance after suffering stroke as he accepts Lifetime Achievement Award at Tony Awards party
Nearly three years ago actor Tim Curry suffered a stroke that continues to affect his speech.
But despite the health woes, the 69-year-old was in good spirits as he was honored with The Actors Fund Lifetime Achievement Award on Sunday at the Tony Awards Viewing Party in Los Angeles.
Speaking to Los Angeles magazine, he said that he has been 'doing well' and was 'looking forward' to receiving the honor.
Honored: Tim Curry made a rare public appearance as he was honored with The Actors Fund Lifetime Achievement Award on Sunday at the Tony Awards Viewing Party in Los Angeles
'I’ve done a few benefits for the Actors Fund and I think it’s a marvelous organization. I hope not to have to use it,' the acclaimed character actor quipped.
The Actors Fund provides assistance with the cost and arrangements of funerals and burials.
And it is the Legend star's sense of humor that has helped helped him to remain optimistic since his July 2012 stroke when he collapsed at his Los Angeles home.
Acclaim: The character actor received a Tony nomination in 1981 for his role as Mozart in Amadeus
Rare: In December, he made a rare appearance for a Christmas Eve dinner at Ago restaurant in Los Angeles with a friend, who pushed the It actor in a wheelchair
'It’s not tough to maintain,' he explained. 'It is just part of my DNA.'
The magazine noted that his 'speech is slowed a bit.'
In December last year, he made an appearance for a Christmas Eve dinner at Ago restaurant in Los Angeles with a friend, who pushed the It actor in a wheelchair.
Tim is best known for his role as the brilliantly mad transvestite scientist Dr Frank N Furter in the The Rocky Horror Show.
Health woes: In July 2012 he collapsed at his Los Angeles home after suffering a stroke
He first starred in the original 1973 London production, and continued to play the part on Broadway before playing the same character in the 1975 film.
On the role that catapulted him to stardom, he told Los Angeles magazine that he looks at the film's success 'with a sort of bemused tolerance.'
He continued: 'It’s neither a blessing nor a curse. I was lucky to get it.'
For many years he rarely discussed the movie, fearing he would be typecast.
Good humor: The Home Alone 2 star cited his humor for helping him through his health crisis
Tim recalled opening night during his Broadway debut in The Rocky Horror Picture Show as 'very exciting' but found its critics to be far too harsh.
'I had to go on the Today Show the next day and they read the reviews - which were appalling,' he explained. 'That brought me down. It was very cruel.'
The reviews described his performance as ‘a mixture of Joan Crawford and Burt Lancaster’ and ‘Mick Jagger, David Bowie and Marc Bolan all in one.'
Stage legend: Between 2004 and 2007 he played King Arthur in the Monty Python musical Spamalot on stage in Chicago, Broadway and the West End
However, he won over the Broadway community in 1981 when he was nominated for a Tony Award for the lead role in the play Amadeus.
'It was a brilliant play and a terrific production. And a wonderful part,' he said of portraying Mozart.
'The big problem is not to make him as loony as he is, but to make him sympathetic as well.'
Between 2004 and 2007 he played King Arthur in the Monty Python musical Spamalot on stage in Chicago, Broadway and the West End.
Cult classic: Tim is best known for his unhinged role as mad transvestite scientist Dr Frank N Furter in the The Rocky Horror Show
Some of his stage credits include What About Dick? My Favorite Year and Travesties, among others.
In 2011 he was scheduled to appear in Rosencrantz And Guildenstern Are Dead, however he withdrew from the production at the last minute citing ill health.
Meanwhile, at the viewing party, the veteran actor arrived in a black suit and was seated in a wheelchair.
He joins Theodore Bikel, Alfred Molina and Joe Morton as recipients of the same lifetime achievement award.
Time Wrap! He first starred in the original 1973 London production, and continued to play the part on Broadway before playing the same character in the 1975 film
'It means that it just sort of solidifies the kind of work the American acting community has given me for years now,' he said of the honor.
'It’s very gracious of them, I think. I was thrilled when they told me and I am thrilled now.'
When asked what life would be like for him if it reflected the theater, he said: 'Scary. Well the theater is scary. And the longer the time in between the periods in the theater, the scarier it gets.
Adding: 'Life isn’t meant to be scary. It’s to be celebratory. In which case, it would be like the theater. I think of that as a celebration of life.'
JAPAN'S ROBOT RESTAURANT INSANE
' WILL OVERLOAD YOUR BRAIN
There are few places more dazzling in the Robot Restaurant located in Shinjuku, Japan. We use the term 'restaurant' very loosely because it's more like a variety show, that you just happen to be dining at.
A visual feast for the senses, where the every which way you look is a kaleidoscope of colourful lights and relentless noise, where drummers are armed with glow sticks, cyber strippers fling themselves around neon poles and life-sizes robots go head-to-head in boxing matches.
But the fun doesn't end there, we haven't even mentioned the flying Terrordactyls, giant sharks, bigger Anacondas and the dance off between robots starring a bevy of scantily clad women, naturally.
So if you're in Japan and literally want to have your brain overloaded to the point where it's nearly melting, make sure you head to the Robot Restaurant, it's an experience you won't forget anytime soon.
It’s hard to imagine an experience more perfectly suited to Tokyo, and one less likely to exist anywhere else, than Shinjuku’s Robot Restaurant. With a stage show that stretches the definition of terms like “elaborate” and “bizarre,” the restaurant has quickly become one of the city’s most popular venues.
We were dazzled by the Robot Restaurant from the moment we spotted it. The entire facade was illuminated in blinding LED lights, and towering lady robots with giant bouncing breasts were roving about the foyer. A band inspired by Daft Punk was rocking out behind the robots, and everything was flashing and loud and over-the-top. Sensory overload? Definitely. And we hadn’t even picked up our tickets yet. I suspected that the performance was going to be more like sensory assault.
Having arrived well in advance of the evening show, we passed the extra time in the restaurant’s upstairs lounge. You’ll want to do the same, because the lounge is unbelievable. It’s as though the world’s most outrageous interior designers were given crayons, glue sticks, glitter and mescalin, and told to go crazy. Everything is mirrored and shining. On every table, there’s a robot dinosaur. On the stage, a lady-band clad in metallic bikinis and angel wings is playing soft lounge music. The drinks are cheap and the vibe couldn’t be better. You and the people around you are in a place unlike anywhere any of you have ever been, and you’re all excited and giddy and talkative. It’s a bonding experience.
Now, however, it’s showtime. You and your new friends head into the underground theater, take your seats, and await the spectacle. Soon, the lights go out, the speakers switch on, and giant vehicles appear on either side of the narrow stage, ridden by ladies dressed as Amazonian war princesses from the year 3000. They’re pounding on drums, rotating around the stage, screaming and dancing to the music, and you’re just… confused. What the hell is happening? It’s hilarious, pointless, impressive and overwhelming in equal measure.
And that’s just Act One! By the end of the show, which stretches out across seven or eight acts, you’ll have perhaps seen boxing robots. Women riding huge mechanical cows. An alien-eating shark robot. Huge motorcycles and airplanes with pole-dancing lady passengers. A tank, I think. There was definitely a freedom-fighting panda. The shows change frequently, so you might see other things entirely, things which no sane human would ever be able to predict.
We had fun from the moment we entered the Robot Restaurant, and I’m not sure my brain has yet been able to process everything we saw. Almost as much as the show, we enjoyed watching the spectators sitting across from us. Without exception, they had their eyes wide open and huge smiles plastered across their faces. I’m sure it’s how we looked, too.
Link: Make your Robot Restaurant Reservations Here
Happy Birthday Vincent Price - May 27 13 Greatest Vincent Price Movies
13 Greatest Vincent Price Movies
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The Invisible Man Returns Trailer
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Dragonwyck scene
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House of Wax (1953) -- Unmasked
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Vincent Price - House On Haunted Hill - Trailer
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The House of Usher (1960). The family, explained
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The Pit and the Pendulum (1961) - The Pendulum Swings
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The Comedy of Terrors - Vincent Price (1/1) Not Quite Dead Enough (1963) HD
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Theatrical Trailer - The Masque of the Red Death (Vincent Price)
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The Last Man on Earth - Vincent Price (1/1) The Living Dead Attack (1964) HD
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The Tomb of Ligeia - Vincent Price (1/1) A Prophecy of Ligeia’s Return (1964) HD
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The Mark of Satan Is Upon Them - Witchfinder General (Vincent Price)
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The flying unicorn Abominable Dr Phibes
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Theatre of Blood (1973): A pound of flesh
An even blacker comedic twist on the Phibes pictures, Theater of Blood rates as Price’s cinematic triumph, and one that encapsulates his entire oeuvre. This occasion he’s failed Shakespearean actor Edward Lionheart who, believed dead, elaborately murders the stuffy British reviewers responsible for his worst notices. Victoria catalogues how much Theater of Blood meant to dear Dad: “When you get to: a) fall in love with your future wife [Coral Browne] in a graveyard; b) electrocute her while playing a gay hairdresser; c) kill off all the critics; d) work with Diana Rigg and so many other great British actors; and e) recite Shakespearean verse while doing all of the above—how could it not be one of my father’s favorite films?”
We could easily list another 13 petrifying Price pictures on this list, so if you have the desire to learn more about the man and his movies, go to www.vincentprice.com, check out Shout Factory’s definitive two volume Vincent Price Collection on disc and pick up Victoria’s wonderful book Vincent Price: A Daughter’s Biography, as well as Lucy Chase Williams’ The Complete Films of Vincent Price.
infest-2012-review
Well now, where shall i begin to tell you about my Infest 2012. I don't think anyone who was there would argue that the turn out this year was well down on usual, I don't doubt tough economic times may have played a part for some, having Resistanz early next year also may have informed some regulars decisions but I think that this years line up may have had a large part to play, hmmm to go or not to go that was the question, the one part of me wanted to go 'cos, well it's Infest and not only the event but the chance to catch up with friends I only get to see when we're there. I did want to see Suono and of course Suicide Commando, now you understand this is just my opinion and of course I don't expect you to agree but the rest of the line up didn't set me on fire and so after a degree of mming and erring booked tickets, accommodation and stuff and prepared
to party.
Friday saw us arrive at the venue at around 3pm and it's no exaggeration to say it was very quiet. Spacebouy provided synth pop with a modern twist and though noise isn't really my thing Dirty K managed to bring both rhythm and noise together, yeah it's noise but good noise. As more of our friends and aquaintances arrived we tended to get caught up in the usual drink, greet, gossip, drink scenario and so the rest of Friday past without us spending too much time in the main room.
Saturday saw another fairly quiet start and instead of needing to be down front at least 15 minutes befoe kick off there was still loads of room at 5 minutes to go. We got well up front for Suono at 5pm and in hindsight 5 was way too early for them to be on as they were the "dark horses" of Saturday if not the weekend and for me personally saved the day! Having seen them I know what people mean when they say their studio sound doesn't quite yet catch the essence of their live performance but man do those boys deliver when you do see them live !! I've heard them compared to Sam and XRX and I get that but if you have had doubts about seeing them live, my friends, doubt no more and if you missed them then you missed a treat. Their boundless infectious enthusiasm and techno dance beats soon had everyone partying along, I just wish that there had been more in the room to see them, I can see them rapidly becoming firm favourites not least for the music as I distinctly heard the comment from behind me "oohh they are cute boys too" Suono, you heard it here first !
Sunday seemed for the most part a more chilled affair during the day, I think a lot of us had partied pretty hard on Saturday and were taking things a bit steady, however as the day wore on and various "hairs of the dog" pulled everyone round an air of anticipation began to build, no surprise really as headlining - drum roll, Ladees and Gentlemen, Infest gives you for one night only, the one, the only, Suicide Commando !! cue storms of applause and rush for the front !! and rush we did as it was the only time of the weekend you had to be down front half an hour before - and we were.
Right from the first storming song, Johan pounded around the stage at once admonishing us with the famous waggy finger whilst encouraging us to "Come on and hate Me" Attention Whore had everyone pounding up and down (was it meant for all of us? of course it was ! we know what we are) along with Die Motherfucker Die and classics such as Time, but for me, the highlight was being forehead to forehead with the man himself yelling Bind, Torture and Kill an experience which will stay with me for quite some time. After two encores the set came to a sweaty, shouty, excitable end way too soon for all of us, leaving the lovely Tails (Tales) ?? sorry man, forgive me, I don't know which way to spell it our world famous M.C. to announce the raffle and the prize of prizes must surely have been the wonderful Beer Can Headpiece, for those who saw it you know what I mean, finally a big shout out to The Infamous Rubber Nun, Das TinTin and Zombie Chris - you know who you are ...........
As always Infest delivered on many levels, the Jager, the stalls, the crowd and the bands, if there is just one small comment I would make it would be that what Infest does Brilliantly is give lesser known and new artists a platform but for next year we need a few more names please, in the current crappy economic climate in this country and with Resistanz snapping at Infest's heels we need bands to pull us all in and keep Infest what it is, well Infest, let's face it if you've never been before you really need to come along next year and to everyone who always is, see you there next year motherfuckers !!!
Love and Jager to all,
Dawnie xxxx
credits@ photos adam w/ www.amodelofcontrol.com
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