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the end of Depeche Mode Dave Gahan shocks a French Journalist with an exclusive

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Dave Gahan annonce la fin de Depeche Mode - Le Grand Journal du 03/11
 

Depeche Mode has sold more than 100 million records during a career that’s not had a lull over the course of three decades. Arguably the most popular and successful electronic band of all time, they still release albums that debut in the top 10 and continue to draw arena-sized crowds. Their influence can be heard in house, techno, industrial,

mainstream journalists and their stupid cliché questions, it’s a recurring problem for every musician.

Dave shocked a Journalist TV station Canal+by exclusively announcing the end of the band on the talk show Le Grand Journal  what do you think of your new album, is this the final release of your band, etc..

Dave Gahan decided to play ‘cavalier soul’ announcing the end of Depeche Mode. The ‘journalist Journal. Talking of a (non) exclusive! For a few seconds her face was set on disbelief until ...

You can watch the ‘interview’ fragment below.

But first the before (when Dave says he has an exclusive), during (when he announces the end of Depeche Mode)

In related Depeche Mode news,

  Depeche Mode /dɨˌpɛʃˈmd/ are an English electronic band formed in 1980 in Basildon, Essex. The group's original line-up consisted of Dave Gahan (lead vocals, occasional songwriter since 2005), Martin Gore (keyboards, guitar, vocals, chief songwriter after 1981), Andy Fletcher (keyboards), and Vince Clarke(keyboards, chief songwriter from 1980 until 1981). Depeche Mode released their debut record in 1981, Speak & Spell, bringing the band onto the British new wave scene. Clarke left the band after the release of the album, leaving the band as a trio to record A Broken Frame, released the following year. Gore took over lead songwriting duties and, later in 1982, Alan Wilder (keyboards, drums, occasional songwriter) officially joined the band to fill Clarke's spot, establishing a line up that would continue for the next thirteen years. The band's last albums of the 1980s, Black Celebration and Music for the Masses, established them as a dominant force on the mainstream electronic music scene. A highlight of this era was the band's concert at the Pasadena Rose Bowl, where they drew a crowd in excess of 60,000 people. In the new decade, Depeche Mode released Violator, a mainstream success. The subsequent album, Songs of Faith and Devotion, and the supporting Devotional Tour exacerbated tensions within the band to the point where Alan Wilder quit in 1995, leading to intense media and fan speculation that the band would split. Now a trio once again, the band released Ultra in 1997, recorded at the height of Gahan's near-fatal drug abuse, Gore's alcoholism and seizures and Fletcher's depression. The release of Exciter confirmed Depeche Mode's willingness to remain together, the subsequent, and very successful, Exciter Tour being their first tour in support of an original album in eight years since the Devotional Tour, although the band had toured in 1998 to support The Singles 86–98 compilation album. Depeche Mode have had fifty songs in the UK Singles Chart and thirteen top 10 albums in the UK charts, two of which debuted at No. 1. Depeche Mode have sold over 100 million records worldwide,[1] making them one of the most commercially successful electronic bands and one of the world's best-selling bands.[2] Qmagazine calls Depeche Mode "the most popular electronic band the world has ever known"[3] and included the band in the list of the "50 Bands That Changed the World!".[4] Depeche Mode also rank number 98 on VH1's "100 Greatest Artists Of All Time    
 

What Netflix Raising Prices Might Mean For Customers In The Near Future

scrooge_netflix

Disney / Netflix

   
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MAD MAX: FURY ROAD MY LITTLE PONY BECAUSE OF COURSE

MAD MAX: FURY ROAD My Little Pony Because Of Course

MAD MAX: FURY ROAD MY LITTLE PONY BECAUSE OF COURSE

Even if the movie wasn’t the biggest smash hit of the year, the way it should have been, Mad Max: Fury Road has certainly taken the prize for the film with the largest permeation on the internet. The number of essays and articles written about George Miller’s post-apocalyptic, people-driving-in-a-straight-line action film became a must-see for fans of cinema and discourse about gender roles, internal politics, and blind devotion. It’s also precipitated all sorts of awesome DIY projects, par exemplesome Mad Max Power Wheels.

The newest and, we admit, most absurdly awesome of these projects are custom-made (and totally unofficial, via artist Kelsey Wailes) Mad Max: Fury Road My Little Pony figurines. That’s right, two weird worlds that are even weirder together. The artist used the older variety of My Little Pony dolls, from prior to the Brony days, and Polymer clay, acrylics, leather, and faux fur to create highly-accurate equestrian representations of Max Rockatansky, Imperator Furiosa, Nux, and Immortan Joe.

My Little Pony Mad Max

They look so happy together, don’t they?

Both the Nux and the Max figures had heads that could rotate, but all four figures have the ability to drive cars (not true). I don’t know which is more impressive — Joe’s toothy face mask/breathing apparatus or Furiosa’s mechanical artificial hoof. They somehow even managed to get the look of pure chrome-fueled martyrdom in Nux’s eyes, although I seem to recall that’s just how My Little Ponies looked anyway.

The figures were available for sale at last weekend’s Awesome Con in Washington, D.C., so unfortunately that’s over, but you can still witness them in their full glory in the gallery below.

Mad Max Fury Road Ponies: Because I am a monster.

They were super fun to make and super horrifying (I’m looking at you, Immortan Joe)

Made with My Little Pony toys, Polymer clay, acrylics, leather, and faux fur.

Nux and Max have moving heads

APOPO, A Wonderful Non-Profit Organization That Trains Giant Rats to Sniff Out Bombs and Tuberculosis

Rat in Field

We train rats to save lives.

The Belgian non-governmental (NGO), non-profit organization APOPO has made it their incredibly admirable mission to train the highly intelligent African giant pouched rats aka HeroRATS to use their noses for such humanitarian purposes as expediently detecting bombs in post-conflict countries and detecting tuberculosis in developing countries, thus potentially saving the lives of thousands of people. The rats are trained from a young age and are rewarded through positive motivation.

APOPO trains the rats through operant conditioning, using a combination of a click sound and food rewarding. Training starts at the age of 4-5 weeks, with socialization. The young rats are weaned from their mothers and APOPO’s trainers begin socializing them to the sights, sounds, and textures of the human world. Once our rats are six weeks old, click training begins, where we teach the rats to associate a click sound with a food reward – usually banana or peanuts. After two weeks at this stage, the rats learn that click means food, and are now ready to be trained on a target scent. After these steps, our rats specialize in a target scent in either TNT for detecting landmines or TB for detecting TB in human sputum samples. After odor imprint, the complexity of their tasks gradually increases until they reach the final training stage where they have to do a blind test in order to be accredited.

As of this date, none of the HeroRATS have died in the line of duty and the trainers take special care to apply sunscreen to the rodents’ ears when they are working outside. Anyone wishing to contribute to APOPO can either donate directly or “adopt” a HeroRAT with an ongoing subscription.

Rat and Trainer

Rat 1

Nose

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iOS bug lets people crash others' iPhones by sending them one line of text

iOS bug lets people crash others' iPhones by sending them one line of text

broken
Though the effects of the prank can be fixed, there doesn't seem to be a way of stopping it happening
iPhones can be crashed if they receive a text containing one specific line of Arabic characters and symbols.

Sending the letters in a text message causes the phone to crash and then power off, leaving the Messages app unusable once the iPhone turns back on. Users have found a way of fixing the problem once it has happened, but there appears to be no way to keep phones from being vulnerable to it happening again.

If users open the Messages app and the problem text is still open, users can just send a reply to fix the problem. If it's not, users must either receive a message or send a message to themselves, using Siri or by texting from the "share" option that can be found in many apps.

The problem appears to come from the way that the phone tries to show the message in notifications. The characters cause that system to break, so that it briefly tries to show it before crashing and then re-setting the phone in an attempt to fix it.

It doesn't turn it off, it just crashes it. If ur jailbroken, it sends you to safe mode and if ur non-jailbroken, it just resprings your device.

effective.

Power

لُلُصّبُلُلصّبُررً ॣ ॣh ॣ ॣ 冗

Send that to someone with an iPhone it turns their phone off


Copy all above the line and text it to another iPhone and it will shut it off.

I wonder what other things we can control with this, rather than just "power off the device."

Any ideas?

Edit 1: you don't need that first line, plus i fixed it

edit 2: a list of things we discovered so far

  • it only seems to work if your phone is not on safe mode
  • on a jailbroken phone it shoots you into safe mode...could means that it might be related to a Springboard vulnerability
  • it doesn't work if the person you are sending is looking at your texts, they can be anywhere else on their iPhone

edit 3: something i've noticed, apple changes the api with every new ios, right? maybe it has something to do with that?

edit 4: what's weird is I'm on iOS 8.1.2 and it crashes my phone as well...

edit 5: we found out what it is. it is due to how the banner notifications process the Unicode text. The banner briefly attempts to present the incoming text and then "gives up" thus the crash creds to /u/sickestdancer98

The text was found by Reddit users, who also discovered how the problem was affecting phones. The issue seems to have been around since iOS 6, users said, which was released in 2012.

Apple's engineers are aware of the problem and are looking to fix it, according to Twitter users. Members of the site also found what was going on to make it work.

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infest-2012-review

Well now, where shall i begin to tell you about my Infest 2012.  I don't think anyone who was there would argue that the turn out this year was well down on usual, I don't doubt tough economic times may have played a part for some, having Resistanz early next year also may have informed some regulars decisions but I think that this years line up may have had a large part to play, hmmm to go or not to go that was the question, the one part of me wanted to go 'cos, well it's Infest and not only the event but the chance to catch up with friends I only get to see when we're there.  I did want to see Suono and of course Suicide Commando, now you understand this is just my opinion and of course I don't expect you to agree but the rest of the line up didn't set me on fire and so after a degree of mming and erring booked tickets, accommodation and stuff and prepared

to party.

Infest 2012: Bands: Solitary Experiments

Friday saw us arrive at the venue at around 3pm and it's no exaggeration to say it was very quiet.  Spacebouy provided synth pop with a modern twist and though noise isn't really my thing Dirty K managed to bring both rhythm and noise together, yeah it's noise but good noise.  As more of our friends and aquaintances arrived we tended to get caught up in the usual drink, greet, gossip, drink scenario and so the rest of Friday past without us spending too much time in the main room.

Infest 2012: Bands: Dirty K Infest 2012: Bands: Spacebuoy

 Saturday saw another fairly quiet start and instead of needing to be down front at least 15 minutes befoe kick off there was still loads of room at 5 minutes to go.  We got well up front for Suono at 5pm and in hindsight 5 was way too early for them to be on as they were the "dark horses" of Saturday if not the weekend and for me personally saved the day!  Having seen them I know what people mean when they say their studio sound doesn't quite yet catch the essence of their live performance but man do those boys deliver when you do see them live !! I've heard them compared to Sam and XRX and I get that but if you have had doubts about seeing them live, my friends, doubt no more and if you missed them then you missed a treat.  Their boundless infectious enthusiasm and techno dance beats soon had everyone partying along, I just wish that there had been more in the room to see them, I can see them rapidly becoming firm favourites not least for the music as I distinctly heard the comment from behind me "oohh they are cute boys too" Suono, you heard it here first !

Infest 2012: Bands: Suono

Sunday seemed for the most part a more chilled affair during the day, I think a lot of us had partied pretty hard on Saturday and were taking things a bit steady, however as the day wore on and various "hairs of the dog" pulled everyone round an air of anticipation began to build, no surprise really as headlining - drum roll, Ladees and Gentlemen, Infest gives you for one night only, the one, the only, Suicide Commando !! cue storms of applause and rush for the front !! and rush we did as it was the only time of the weekend you had to be down front half an hour before - and we were.

Infest 2012: Bands: Suicide Commando

Right from the first storming song, Johan pounded around the stage at once admonishing us with the famous waggy finger whilst encouraging us to "Come on and hate Me"  Attention Whore had everyone pounding up and down (was it meant for all of us? of course it was ! we know what we are) along with Die Motherfucker Die and classics such as Time, but for me, the highlight was being forehead to forehead with the man himself yelling Bind, Torture and Kill an experience which will stay with me for quite some time.  After two encores the set came to a sweaty, shouty, excitable end way too soon for all of us, leaving the lovely Tails (Tales) ?? sorry man, forgive me, I don't know which way to spell it our world famous M.C. to announce the raffle and the prize of prizes must surely have been the wonderful Beer Can Headpiece, for those who saw it you know what I mean, finally a big shout out to The Infamous Rubber Nun, Das TinTin and Zombie Chris - you know who you are ...........

Infest 2012: People

As always Infest delivered on many levels, the Jager, the stalls, the crowd and the bands, if there is just one small comment I would make it would be that what Infest does Brilliantly is give lesser known and new artists a platform but for next year we need a few more names please, in the current crappy economic climate in this country and with Resistanz snapping at Infest's heels we need bands to pull us all in and keep Infest what it is, well Infest, let's face it if you've never been before you really need to come along next year and to everyone who always is, see you there next year motherfuckers !!!

Love and Jager to all,

Dawnie xxxx

credits@ photos adam w/ www.amodelofcontrol.com

- See more at: http://www.darkasylum.co.uk/blogs/1317/42/infest-2012-review#sthash.oJBdpqTw.dpuf

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