The New Trailer Is Here! Disney’s Alice Through The Looking Glass!
So what do you think? Will it be better than the last adaption?
Disney’s Alice Through The Looking Glass is in theaters May 27!
In Disney’s “Alice Through the Looking Glass,” an all-new spectacular adventure featuring the unforgettable characters from
Lewis Carroll’s beloved stories, Alice returns to the whimsical world of Underland and travels back in time to save the Mad Hatter. Directed by James Bobin, who brings his own unique vision to the spectacular world Tim Burton created on screen in 2010 with “Alice in Wonderland,” the film is written by Linda Woolverton based on characters created by Lewis Carroll and produced by Joe Roth, Suzanne Todd and Jennifer Todd and Tim Burton with John G. Scotti serving as executive producer. “Alice Through the Looking Glass” reunites the all-star cast from the worldwide blockbuster phenomenon, including: Johnny Depp, Anne Hathaway, Mia Wasikowska and Helena Bonham Carter along with the voices of Alan Rickman, Stephen Fry, Michael Sheen and Timothy Spall. We are also introduced to several new characters: Zanik Hightopp (Rhys Ifans), the Mad Hatter’s father and Time himself (Sacha Baron Cohen), a peculiar creature who is part human, part clock.
Susan Beatrice is an artist who recycles old vintage watch parts and turns them into beautifully intricate sculptures. This true jack-of-all-trades (whom we previously wrote about
here) is also a talented sand sculptor and painter, and uses her many talents to perfect her watch sculptures.
Beatrice writes that her recycled sculptures are “Earth-friendly and artistic items sensitive to the limits of our natural resources.” If you agree, be sure to check out her Facebook!
The fact that someone has created a condom that can detect sexually transmitted infections (STIs) is amazing on its own, but the fact that it was invented by a team of 13- and 14-year-old students is even more impressive! Muaz Nawaz, Daanyaal Ali and Chirag Shah from the Isaac Newton Academy in London came up with the concept, calling it the ‘S.T.EYE.’
The condom glows faintly in different colors depending on what STIs it has encountered; green for chlamydia, yellow for herpes, purple for human papillomavirus, and blue for syphilis. They won the first prize (£1,000) for Health at TeenTech Awards, a competition that encourages 11-to-16-year-olds to create inventions that will help the world.
I live in a crowded city and that can sometimes make me feel alienated. Especially when I see how the world is shaped by a passion for consumption. To cope with this fragmentation, I retreat to mountains for summer months. Nature helps me reconnect to the things that matter, and eases the sense of isolation.
For me solitude is a gateway to creativity. My art is a response to social alienation. I see how society is full of turmoil and chaos. Creativity is a process that is alive in all things, and relates with human roots running deep with meaning. This evolution, from poor progress to doing something better needs patience. We need patience and have to know pain.
What we have is time and space to use creativity in becoming better. When using the metal pieces I am using time and space, past and future, all that is in life. I have previously created a metal lion,
The Belgian non-governmental (NGO), non-profit organization APOPO has made it their incredibly admirable mission to train the highly intelligent African giant pouched rats aka HeroRATS to use their noses for such humanitarian purposes as expediently detecting bombs in post-conflict countries and detecting tuberculosis in developing countries, thus potentially saving the lives of thousands of people. The rats are trained from a young age and are rewarded through positive motivation.
APOPO trains the rats through operant conditioning, using a combination of a click sound and food rewarding. Training starts at the age of 4-5 weeks, with socialization. The young rats are weaned from their mothers and APOPO’s trainers begin socializing them to the sights, sounds, and textures of the human world. Once our rats are six weeks old, click training begins, where we teach the rats to associate a click sound with a food reward – usually banana or peanuts. After two weeks at this stage, the rats learn that click means food, and are now ready to be trained on a target scent. After these steps, our rats specialize in a target scent in either TNT for detecting landmines or TB for detecting TB in human sputum samples. After odor imprint, the complexity of their tasks gradually increases until they reach the final training stage where they have to do a blind test in order to be accredited.
As of this date, none of the HeroRATS have died in the line of duty and the trainers take special care to apply sunscreen to the rodents’ ears when they are working outside. Anyone wishing to contribute to APOPO can either donate directly or “adopt” a HeroRAT with an ongoing subscription.
There are few places more dazzling in the Robot Restaurant located in Shinjuku, Japan. We use the term 'restaurant' very loosely because it's more like a variety show, that you just happen to be dining at.
A visual feast for the senses, where the every which way you look is a kaleidoscope of colourful lights and relentless noise, where drummers are armed with glow sticks, cyber strippers fling themselves around neon poles and life-sizes robots go head-to-head in boxing matches.
But the fun doesn't end there, we haven't even mentioned the flying Terrordactyls, giant sharks, bigger Anacondas and the dance off between robots starring a bevy of scantily clad women, naturally.
So if you're in Japan and literally want to have your brain overloaded to the point where it's nearly melting, make sure you head to the Robot Restaurant, it's an experience you won't forget anytime soon.
It’s hard to imagine an experience more perfectly suited to Tokyo, and one less likely to exist anywhere else, than Shinjuku’s Robot Restaurant. With a stage show that stretches the definition of terms like “elaborate” and “bizarre,” the restaurant has quickly become one of the city’s most popular venues.
We were dazzled by the Robot Restaurant from the moment we spotted it. The entire facade was illuminated in blinding LED lights, and towering lady robots with giant bouncing breasts were roving about the foyer. A band inspired by Daft Punk was rocking out behind the robots, and everything was flashing and loud and over-the-top. Sensory overload? Definitely. And we hadn’t even picked up our tickets yet. I suspected that the performance was going to be more like sensory assault.
Having arrived well in advance of the evening show, we passed the extra time in the restaurant’s upstairs lounge. You’ll want to do the same, because the lounge is unbelievable. It’s as though the world’s most outrageous interior designers were given crayons, glue sticks, glitter and mescalin, and told to go crazy. Everything is mirrored and shining. On every table, there’s a robot dinosaur. On the stage, a lady-band clad in metallic bikinis and angel wings is playing soft lounge music. The drinks are cheap and the vibe couldn’t be better. You and the people around you are in a place unlike anywhere any of you have ever been, and you’re all excited and giddy and talkative. It’s a bonding experience.
Now, however, it’s showtime. You and your new friends head into the underground theater, take your seats, and await the spectacle. Soon, the lights go out, the speakers switch on, and giant vehicles appear on either side of the narrow stage, ridden by ladies dressed as Amazonian war princesses from the year 3000. They’re pounding on drums, rotating around the stage, screaming and dancing to the music, and you’re just… confused. What the hell is happening? It’s hilarious, pointless, impressive and overwhelming in equal measure.
And that’s just Act One! By the end of the show, which stretches out across seven or eight acts, you’ll have perhaps seen boxing robots. Women riding huge mechanical cows. An alien-eating shark robot. Huge motorcycles and airplanes with pole-dancing lady passengers. A tank, I think. There was definitely a freedom-fighting panda. The shows change frequently, so you might see other things entirely, things which no sane human would ever be able to predict.
We had fun from the moment we entered the Robot Restaurant, and I’m not sure my brain has yet been able to process everything we saw. Almost as much as the show, we enjoyed watching the spectators sitting across from us. Without exception, they had their eyes wide open and huge smiles plastered across their faces. I’m sure it’s how we looked, too.
After an early Broadway debut, the late great Vincent Price (1911-1993) toiled in Hollywood films for over 50 years and appeared on countless TV shows (including everything from The Carol Burnett Show to The Brady Bunch). But, of course, the actor will always be remembered for his horror and villainous roles by generations of monster kids (whose ranks include director Tim Burton, who cast Price in one of his last—and best—screen assignments, 1990’s Edward Scissorhands). Chiller’s latest edition of The Friday 13 salutes the career of this scream legend on the occasion of his upcoming birthday (May 27). Helping us celebrate: Price’s own daughter and official biographer, Victoria. (Titles arranged according to year of release.)
1. The Invisible Man Returns (1940)
The Invisible Man Returns Trailer
At age 28, stage-trained thespian Vincent Price joined Universal Studios’ classic monsters bullpen in this sequel to the James Whale/Claude Raines hit. Price stars as a man scheduled to hang for a murder he didn’t commit who takes an invisibility serum to apprehend the real killer. “The first ‘glimpse’ (!) of what Vincent Price could do with just his voice,” recalls daughter Victoria Price. The mellifluous actor disappeared into the role again with an amusing voiceover cameo for 1948’s hilarious Abbott & Costello Meet Frankenstein.
2. Dragonwyck (1946)
Dragonwyck scene
In one of the parts dearest to his heart, Price portrays Nicholas Van Ryn, drug-addicted/wife murdering aristocrat, who lords over a gloomy mansion. “This movie meant a great deal to my father,” Victoria recalls. “He was playing a portly priest in Keys to the Kingdom, and he approached [director] Joe Mankiewicz with his desire to play the lead in Dragonwyck. The director basically said that he was totally the wrong type for the role. So my dad lost a lot of weight and really prepared for the audition—and got the role. It was his first leading film role in a genre that would become so important to him.”
3. House of Wax (1953)
House of Wax (1953) -- Unmasked
As the hideously scarred sculptor Henry Jarrod, who uses real human bodies as his museum wax figures, the art-loving actor cemented his reputation as a monstrous screen villain in this 3-D smash. “House of Wax came at a very important juncture in my father’s life,” reveals Victoria. “He had just been cleared from one of [Red Scare instigator] Joe McCarthy’s lists and allowed to work again in Hollywood. He was offered two roles—one on Broadway and one for a film about an artist incorporating an interesting new technology [3-D]. The rest, as they say, is history!”
4. House on Haunted Hill (1958)
Vincent Price - House On Haunted Hill - Trailer
In this wickedly scary gimmick film from producer/director William Castle, Price stars as a sarcastic millionaire who offers five strangers $10,000 a piece if they survive the night in the titular ghost hangout. This hit film garnered Price even more fans in the genre he would call home. Says Victoria, “Who doesn’t love Vincent Price as the elegantly evil Frederick Loren in House on Haunted Hill?”
5. House of Usher (1960)
The House of Usher (1960). The family, explained
Price’s career continued to ascend in horror circles when he top-lined this classy Edgar Allan Poe adaptation, scripted by Richard (Twilight Zone) Matheson and directed with stylish efficiency by B-movie king Roger Corman. “Roderick Usher was one of my dad’s great roles, in my opinion,” says Victoria of the tragic, hypersensitive Usher, a man with, let’s say, family issues. “As the tortured aesthete, he was so handsome in that film!”
6. The Pit and the Pendulum (1961)
The Pit and the Pendulum (1961) - The Pendulum Swings
The popularity of House of Usher for independent studio American International Pictures spawned a whole series of Poe flicks, most starring Price as equally troubled characters and bad guys. In Corman’s Pit and the Pendulum, Price limns Nicholas Medina, beleaguered son of a notorious Spanish Inquisition torturer who dusts off Pop’s ancient playthings thanks to his scheming wife (Barbara Steele). Shudders Victoria, “Pit and the Pendulum scared me to death when we had to watch it in school!”
7. The Comedy of Terrors (1963)
The Comedy of Terrors - Vincent Price (1/1) Not Quite Dead Enough (1963) HD
The horror celebrity always enjoyed sending up his image in both film and television, and in this hoot, directed by Cat People’s Jacques Tourneau, he’s a boozy undertaker who’ll literally murder for customers. “My dad loved getting to work with his dear friend Boris Karloff and the legendary Peter Lorre, whose eulogy he gave just a few years later,” remembers Victoria. “And boy did they have fun!” And we can tell!
8. The Masque of the Red Death (1964)
Theatrical Trailer - The Masque of the Red Death (Vincent Price)
In this masterpiece of Corman/AIP’s Poe cycle, Price essays the diabolical Prince Prospero, who throws a decadent bash while plague decimates those outside his castle walls. “A few years ago,Masque of the Red Death was shown at three straight events I attended,” Victoria notes of Masque’s enduring appeal amongst cinema scholars. “The movie is so surreal and ’60s. And Nic Roeg’s saturated cinematography is iconic.”
9. The Last Man on Earth (1964)
The Last Man on Earth - Vincent Price (1/1) The Living Dead Attack (1964) HD
Tinseltown raided Richard Matheson’s excellent novel I Am Legend (about a vampire-plagued world) three times, beginning with this low-budget effort. Price’s version stands as the most faithful to Matheson, and the Rome-lensed movie also proved even more significant to Victoria. Sshe explains, “I owe my existence to Last Man on Earth! My parents moved to Italy for an extended period of time. Let’s just say that ‘La Dolce Vita’ worked its magic on 44-year-old Mary Grant Price and 50-year-old Vincent Price. When my mother started craving Chinese food in Europe, they had no idea I was the cause. But I ended up being a very happy surprise for them both…all because ofLast Man on Earth!”
10. The Tomb of Ligeia (1964)
The Tomb of Ligeia - Vincent Price (1/1) A Prophecy of Ligeia’s Return (1964) HD
With a literate script by future Chinatown scribe Robert Towne, Corman and Price ended their Poe run with a fiery finish. As the downcast Verden Fell, Price suffers at the hands—and possessed feline claws—of his jealous deceased wife, who stalks her man when he remarries. As the haunted husband, Price contributes a subdued and nuanced performance, never upstaged by the movie’s killer cat or impressive English locations. “Tomb of Ligeia was Vincent’s personal favorite Poe film,” his offspring reveals.
11. Witchfinder General (1968)
The Mark of Satan Is Upon Them - Witchfinder General (Vincent Price)
In this intense film (released in the U.S. as Conqueror Worm), St. Louis-born Price tackles real-life 17th century British witch hunter Matthew Hopkins, who traveled the English countryside persecuting innocent people for practicing witchcraft. As the despicable Hopkins, Price abandoned the flamboyance of some of his previous dastardly turns. “Working with [director] Michael Reeves was very, very difficult for my father,” admits Victoria. “He understood what Reeves wanted, but his methods and his youthful arrogance were difficult for my dad—who was about the nicest man on the planet. Ultimately, however, the malevolence which my father achieved made the part one of his most memorable.”
12. The Abominable Dr. Phibes (1971)
The flying unicorn Abominable Dr Phibes
In this art-deco tour de force, Price has a campy field day as the revenge-minded disfigured doctor who unleashes his own translation of the biblical plagues on the men who failed to save his wife’s life. Price returned as the noble madman in the equally entertaining Dr. Phibes Rises Again a year later. “Classic, stylistic and quirky, Dr. Phibes reteamed Vincent with his dear old friend of 40 years, Joseph Cotton,” says Victoria of the two actors who met while performing with Orson Welles’ Mercury Theatre. “And I am still struck by how expressive he was in that film of few words.”
13. Theater of Blood (1973)
Theatre of Blood (1973): A pound of flesh
An even blacker comedic twist on the Phibes pictures, Theater of Blood rates as Price’s cinematic triumph, and one that encapsulates his entire oeuvre. This occasion he’s failed Shakespearean actor Edward Lionheart who, believed dead, elaborately murders the stuffy British reviewers responsible for his worst notices. Victoria catalogues how much Theater of Blood meant to dear Dad: “When you get to: a) fall in love with your future wife [Coral Browne] in a graveyard; b) electrocute her while playing a gay hairdresser; c) kill off all the critics; d) work with Diana Rigg and so many other great British actors; and e) recite Shakespearean verse while doing all of the above—how could it not be one of my father’s favorite films?”
We could easily list another 13 petrifying Price pictures on this list, so if you have the desire to learn more about the man and his movies, go to www.vincentprice.com, check out Shout Factory’s definitive two volume Vincent Price Collection on disc and pick up Victoria’s wonderful book Vincent Price: A Daughter’s Biography, as well as Lucy Chase Williams’ The Complete Films of Vincent Price.
Could a transfusion of young blood REALLY rejuvenate old people's brains? Vampire-like treatment could stave off the effects of ageing, say researchers
Blood transfusions helped mice to perform as well as memory tests as rodents a third of their age
Scientists are hopeful the findings could apply to humans and ease burden of ageing population
It might sound like something from Dracula, but old brains have been made sprightly again thanks to young blood.
Giving ageing mice blood from much younger animals rejuvenated connections between brain cells and improved memory, experiments have shown.
The treatment is so effective that 18-month-old animals did as well in memory tests as those of only four months. Mice usually live to between 18 months and two years.
Scientists suggest blood jabs from younger adults could help pensioners stay mentally alert
If the treatment is shown to be safe and as successful in humans, it could be used to stave off the ravages of old age.
Those in middle-age could be given regular jabs of blood donated by 20-somethings, a conference heard. Diseases such as Alzheimer's could also be held at bay.
Researcher Saul Villeda told the Society for Neuroscience's annual conference in New Orleans: 'Do I think that giving young blood could have an effect on a human? I'm thinking more and more that it might.
'It's not a drug that will have deleterious effects. It's just blood. We do it all the time for blood transfusions.'
Scientists from Stanford University in the US 'sewed together' two mice of different ages.
They created connections between their veins and arteries that allowed young blood to flow into the older animal's body, and vice versa. The younger animals' brains appeared to age. But in the older animals, young blood boosted the number of connections between brain cells. The connections, which are thought to be vital to memory, were also stronger.
Dr Saul Villeda from Stanford University thinks his exciting findings in mice could apply to humans
The older mice also did just as well as the younger ones in memory tests. The treatment is now being tested on mice with an Alzheimer's-like disease. Experts said that if the research continues to bear fruit, it could lead to treatment that brings even greater benefits than penicillin.
Other work suggests an infusion of young blood could be good for the muscles, liver and immune system. However, the work is at an early stage and it will be some time before it is tested on humans.
It may be possible to identify the compounds in blood that are rejuvenating the brain and turn them into a pill.
Professor Andrew Randall, a brain disease expert from Exeter and Bristol Universities, said: 'Although this may suggest that Dracula author Bram Stoker had ideas way ahead of his time, temporarily plumbing teenagers' blood supplies into those of their great-grandparents does not seem a particularly feasible future therapy for cognitive decline in ageing.
'Instead this fascinating work suggests there may be significant benefit in working out what the “good stuff” is in the high octane young blood, so that we can provide just those key components to the elderly.'
Professor Chris Mason, an expert in regenerative medicine from University College London, added: 'The important questions are; what is in the blood of the younger mice that impacts the ageing process, and is it applicable to humans?
'Even if the finding leads only to a drug that prevents, rather than reverses the normal effects of ageing on the brain, the impact upon future generation will be substantial – potentially outweighing other wonder drugs such as penicillin.'
Dr Villeda said: 'Our findings open the possibility of utilising young blood towards future therapeutic interventions aimed at reversing cognitive impairments in the elderly.
'It now becomes a promising prospect to test whether this extends beyond normal ageing towards reversing cellular and cognitive decline in those suffering from age-related neurodegenerative disorders such as Alzheimer's diseas
So, I find a message in our super secret Admin section of Dark Asylum Radio – it’s from a man called Flavio and he says that he’s got a new album coming out, and he wants to know what we thought about it. Well, thinks I, who am I to deny it? I look around the links that he sends me – links to his artwork project, links to a free download option via Bandcamp...and it all looks fine. It seems well put together, nicely wrapped up – it’s a pretty nice gift to receive.
So, the label reads “New Wave from Buenos Aires”, which made me smile – you don’t see many New Wave bands about these days, and listening to the first couple of tracks they seem to hit the right notes – the second track, “Ravensong”, is very Cure/Human League feel behind it all which I found quite enjoyable. The whole album has a nice sheen to it and there are enough surprises to delight the careful listener – the occasional chime in “Industry”.
If there was one gripe to be had, it’s with the singer, Flavio’s, voice – during most of the album it remains nice and stable, but it tends to stretch a little during the higher notes: While not a deal breaker, it does occasionally distract from an otherwise lovely piece of music. The band – Flavio on vocals, Xiro on guitars, Javier on synths and Gabe on bass – work well together as a unit, and while the synths tend to occasionally overwhelm the rest of the instruments it’s rare enough to be ignorable.
...and let’s face it, for a free album you can do miles worse. It’s something different enough to almost be novel, so I recommend giving it a listen.
The students’ design is currently just a concept, but we hope it becomes a reality!
